The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 31 筆
第 168 頁
... Prose . VERSE is constituted of a regular succession of similar cadences , or of a limited variety of cadences , by which sensible responses are presented to the car at regular proportioned distances . PROSE differs from verse , not in ...
... Prose . VERSE is constituted of a regular succession of similar cadences , or of a limited variety of cadences , by which sensible responses are presented to the car at regular proportioned distances . PROSE differs from verse , not in ...
第 170 頁
... prose . 3 From these examples , this important and una- voidable conclusion follows , viz . All prose may be cut into rhythmical | 1 clauses , and from the | defi- Inition al- ready | given of | cadence which has its origin in the ...
... prose . 3 From these examples , this important and una- voidable conclusion follows , viz . All prose may be cut into rhythmical | 1 clauses , and from the | defi- Inition al- ready | given of | cadence which has its origin in the ...
第 249 頁
... prose as well as verse be cut into rhyth- mical clauses ? 39. Give an example . 40. How many reasons can you give why verse is more easily read than prose ? 41. Mention these reasons . 42. What are the feeblest and heaviest lines in our ...
... prose as well as verse be cut into rhyth- mical clauses ? 39. Give an example . 40. How many reasons can you give why verse is more easily read than prose ? 41. Mention these reasons . 42. What are the feeblest and heaviest lines in our ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words