The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 31 筆
第 xvii 頁
... heart , read heart . VI AL 228 , line 9 , for created , read created . 252 , line 2 , for sweet , read sweet . 256 , line 4 , for seen , read seen . .. 258 , line 4 , for wo , read wo . 260 , line 7. for over , read over . 273 , line 3 ...
... heart , read heart . VI AL 228 , line 9 , for created , read created . 252 , line 2 , for sweet , read sweet . 256 , line 4 , for seen , read seen . .. 258 , line 4 , for wo , read wo . 260 , line 7. for over , read over . 273 , line 3 ...
第 55 頁
... heart , in generous Bevil show'd . Thomson . The Scholar should mark the Notes of Quantity to the following Exercises . 1. Made to engage all hearts and charm all eyes , Though meek , magnanimous ; though witty , wise : Polite , as all ...
... heart , in generous Bevil show'd . Thomson . The Scholar should mark the Notes of Quantity to the following Exercises . 1. Made to engage all hearts and charm all eyes , Though meek , magnanimous ; though witty , wise : Polite , as all ...
第 226 頁
... heart ; and , let me add , nothing except what flows from the heart , can render even external manners truly pleasing . Full Melody , -55 accents . / / / / \ \ \ A That gentleness , which is the characteristic of a // / J / good man ...
... heart ; and , let me add , nothing except what flows from the heart , can render even external manners truly pleasing . Full Melody , -55 accents . / / / / \ \ \ A That gentleness , which is the characteristic of a // / J / good man ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words