The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 31 筆
第 50 頁
... applied to our own language.- The consequences of these rules , when applied to the English language , are particularly pointed out in the author's Melody and Rhythmus of Language — Edin- burgh , published in 1818 . Since our learned ...
... applied to our own language.- The consequences of these rules , when applied to the English language , are particularly pointed out in the author's Melody and Rhythmus of Language — Edin- burgh , published in 1818 . Since our learned ...
第 66 頁
... applied to all sorts of style , whether serious or comic , deliberate or rapid , with or with- out passion ; although every author has not only his peculiar style , but his peculiar tunc and time , which are as important to his meaning ...
... applied to all sorts of style , whether serious or comic , deliberate or rapid , with or with- out passion ; although every author has not only his peculiar style , but his peculiar tunc and time , which are as important to his meaning ...
第 81 頁
... applied exclusively to their proper pur- poses , the grammatical structure of the sentence , and to no other ; and let the four rhetorical pauses , viz . be solely applied for the purposes of reading and speaking . Our punctuation will ...
... applied exclusively to their proper pur- poses , the grammatical structure of the sentence , and to no other ; and let the four rhetorical pauses , viz . be solely applied for the purposes of reading and speaking . Our punctuation will ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words