The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 43 筆
第 110 頁
... slower . It is not necessary to assign all the reasons that give rise to the change of pulsation to either quicker or slower . The beating of our pulse , which we must feel when we are silent and inactive , inclines us to rhyth- mical ...
... slower . It is not necessary to assign all the reasons that give rise to the change of pulsation to either quicker or slower . The beating of our pulse , which we must feel when we are silent and inactive , inclines us to rhyth- mical ...
第 113 頁
... slow and expressive movement . GRAVE , a very slow and solemn movement . LARGO , a slow movement . LARGHETTO , not quite so slow . ANDANTINO , slow and expressive . ANDANTE , slow and distinct . ALLEGRETTO , not so quick as Allegro ...
... slow and expressive movement . GRAVE , a very slow and solemn movement . LARGO , a slow movement . LARGHETTO , not quite so slow . ANDANTINO , slow and expressive . ANDANTE , slow and distinct . ALLEGRETTO , not so quick as Allegro ...
第 138 頁
... slow , slow , ordinary , or quick Time . - 3 . The Poize , viz . ☀ , 4. The rhetorical Pauses . - 5 . The Cadences.- 6. The loud and soft , with their degrees . - 7 . The increasing , diminishing , and uniform . In order to do this ...
... slow , slow , ordinary , or quick Time . - 3 . The Poize , viz . ☀ , 4. The rhetorical Pauses . - 5 . The Cadences.- 6. The loud and soft , with their degrees . - 7 . The increasing , diminishing , and uniform . In order to do this ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words