Prose in the Age of Poets: Romanticism and Biographical Narrative from Johnson to De QuinceyUniversity of Pennsylvania Press, 1990 - 301 頁 In Prose in the Age of Poets, Annette Wheeler Cafarelli demonstrates that nonfictional narrative of the time was a central expression of British Romanticism. The rise of interest in the individual traditionally associated with Romantic autobiography was actually part of a wider cultural interest in biography--especially literary biography. Following Johnson's lead in the Lives of the Poets, virtually every major writer of the period experimented with sequences of short, anecdotal lives that became a characteristic Romantic vehicle for discussing theories of creativity, canon, and the place of the poet in society. The Romantics took in new directions the examination of the relation of artists' lives and works, biographers and their subjects, and texts and their readers. Romantic biography, Cafarelli contends, offers a perspective from which to reconsider conventional boundaries of genre, periodization, and the movement from Neoclassicism to Romanticism. In examining the Romantics as prose writers and biographers, Cafarelli explores the affiliations between Romantic theories of reading and writing and twentieth-century critical methodologies. She situates the biographical writings of the major poets, including Wordsworth, Coleridge, and Byron, in the context of detailed analyses of biographies by Johnson, Hazlitt, De Quincey, Scott, Southey, and other lesser-known contemporaries. Prose in the Age of Poets will interest scholars and students of Romanticism, Johnson, biography and autobiography, and narrative theory. |
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... artist , " the notion of the artist as aberrant , mad or weak , arose from the poets themselves . Yet the idea of analyzing connections between the generation of works of art and the pathology of the artist arose , in England at least ...
... artist ( caught between special gifts and special torments ) and an emblem of the artist's place in the culture ( both exalted and outcast ) . Byron identifies the creative mind as intrinsically unhealthy : art is pro- duced by " the ...
... Artist , pp . 428–31 , the neurotic may be an “ artiste manqué , ” but the life of art is no solution , for the artist is a neurotic " in the toils of old art - ideologies , ” seeking salvation in artistic creation rather than ...
內容
Truth Is Not Here As In The Sciences | 18 |
Reading Cumulatively | 32 |
Connecting Lives and Works | 47 |
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