EARTH. A MIDNIGHT black with clouds is in the sky; I lie and listen to her mighty voice: A voice of many tones-sent up from streams That wander through the gloom, from woods unseen From rocky chasms where darkness dwells all day, O Earth! dost thou too sorrow for the past Dost thou wail For that fair age of which the poets tell, Was guiltless and salubrious as the day? Ha! how the murmur deepens! I perceive And tremble at its dreadful import. Earth Uplifts a general cry for guilt and wrong, And heaven is listening. The forgotten graves Of the heart-broken utter forth their plaint. The dust of her who loved and was betrayed, And him who died neglected in his age; The sepulchres of those who for mankind Labored, and earned the recompense of scorn; Ashes of martyrs for the truth, and bones Of those who, in the strife for liberty, Were beaten down, their corses given to dogs, Their names to infamy, all find a voice. The nook in which the captive, overtoiled, Lay down to rest at last, and that which holds Childhood's sweet blossoms, crushed by cruel hands, Send up a plaintive sound. From battle-fields, Where heroes madly drave and dashed their hosts Against each other, rises up a noise, As if the armèd multitudes of dead Stirred in their heavy slumber. Mournful tones A story of the crimes the guilty sought To hide beneath its waves. The glens, the groves, Paths in the thicket, pools of running brook, And banks and depths of lake, and streets and lanes Of cities, now that living sounds are hushed, Murmur of guilty force and treachery. Here, where I rest, the vales of Italy Driven out by mightier, as the days of heaven What then shall cleanse thy bosom, gentle Earth, From all its painful memories of guilt? The whelming flood, or the renewing fire, Or the slow change of time?—that so, at last, The horrid tale of perjury and strife, Murder and spoil, which men call history, May seem a fable, like the inventions told By poets of the gods of Greece. O thou, Who sittest far beyond the Atlantic deep, THE KNIGHT'S EPITAPH. THIS is the church which Pisa, great and free, Reared to St. Catharine. How the time-stained walls, That earthquakes shook not from their poise, appear To shiver in the deep and voluble tones Rolled from the organ! Underneath my feet The image of an armed knight is graven Upon it, clad in perfect panoply Cuishes, and greaves, and cuirass, with barred helm, Gauntleted hand, and sword, and blazoned shield. Around, in Gothic characters, worn dim By feet of worshippers, are traced his name, And birth, and death, and words of eulogy. Why should I pore upon them? This old tomb, Of this inscription, eloquently show His history. Let me clothe in fitting words The thoughts they breathe, and frame his epitaph: "He whose forgotten dust for centuries Has lain beneath this stone, was one in whom Adventure, and endurance, and emprise, Exalted the mind's faculties and strung The body's sinews. Brave he was in fight, And quick to draw the sword in private feud, He pushed his quarrels to the death, yet prayed As ever shaven cenobite. As fiercely as he fought. He loved He would have borne The maid that pleased him from her bower by night To his hill-castle, as the eagle bears His victim from the fold, and rolled the rocks On his pursuers. He aspired to see "He lived, the impersonation of an age That never shall return. His soul of fire Was kindled by the breath of the rude time He lived in. Now a gentler race succeeds, Shuddering at blood; the effeminate cavalier, Turning his eyes from the reproachful past, And from the hopeless future, gives to ease, And love, and music, his inglorious life." |