Stages of Play: Shakespeare's Theatrical Energies in Elizabethan PerformanceUniversity of Delaware Press, 1998 - 268 頁 "This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket. |
內容
| 13 | |
| 23 | |
Inner Plays and Mixed Responses in Loves Labors Lost and A Midsummer Nights Dream | 57 |
Shylock Antonio and The Merchant of Venice in Performance | 77 |
Falstaff and the Theater of Subversion The Audience as Thieves In I Henry IV | 103 |
Disabling Joy Dramatic Structure and Audience Response in Twelfth Night | 144 |
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