The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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第88页
... , is what Lorenzo calls them in the Merchant of Venice , pattens of bright gold ? 3 In Macbeth's foliloquy , where a vifionary dagger ftrikes his In 88 The DRAMATIC CENSOR . yet that strange, horrid picture of dashing a fmil- ...
... , is what Lorenzo calls them in the Merchant of Venice , pattens of bright gold ? 3 In Macbeth's foliloquy , where a vifionary dagger ftrikes his In 88 The DRAMATIC CENSOR . yet that strange, horrid picture of dashing a fmil- ...
第134页
... Venice ; we have de- clared ourselves fo unclaffical as not to be the friends of ftrict limitation , but cannot countenance the introduction of a fea - voyage , where there is no occafion for it ; Othello might have appeared as much in ...
... Venice ; we have de- clared ourselves fo unclaffical as not to be the friends of ftrict limitation , but cannot countenance the introduction of a fea - voyage , where there is no occafion for it ; Othello might have appeared as much in ...
第148页
... Venice Preferved , to fpare neither fex nor age , and rejoiced , as Mr. Cumberland has it in his inimitable prologue of all prologues to the Bro- thers , to appear From fhoulder to the flank all drench'd in gore . Not- Othello ...
... Venice Preferved , to fpare neither fex nor age , and rejoiced , as Mr. Cumberland has it in his inimitable prologue of all prologues to the Bro- thers , to appear From fhoulder to the flank all drench'd in gore . Not- Othello ...
第149页
... Venice with almoft his laft words , that he finished his life in the fame manner , which he had once used to vindicate the public honour of his mafters ; Iago is most properly denoted , to ut ter contempt as well as abhorrence , and ...
... Venice with almoft his laft words , that he finished his life in the fame manner , which he had once used to vindicate the public honour of his mafters ; Iago is most properly denoted , to ut ter contempt as well as abhorrence , and ...
第277页
... the several lights , of character , fentiment , regularity , plot , fpirit , and pathos ..淡淡 The The MERCHANT of VENICE . Written by SHAKESPEARE . WE The DRAMATIC CENSOR . 277 cenfurable part of the FAIR PENITENT, we have ...
... the several lights , of character , fentiment , regularity , plot , fpirit , and pathos ..淡淡 The The MERCHANT of VENICE . Written by SHAKESPEARE . WE The DRAMATIC CENSOR . 277 cenfurable part of the FAIR PENITENT, we have ...
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常见术语和短语
againſt agreeable alfo alſo appears audience Beggar's Opera Cato cauſe cenfure character circumftance confequence confiderable converfation Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftriking ftrong fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftructive Jaffier juft juftice Juliet juſt King King Lear lady laft laſt lefs Linco Macbeth Mandane mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſe poffeffed praiſe prefent promife purpoſe racter raiſe reaſon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſay ſcene ſeems ſhall ſhe ſpeaks ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful whofe wifh wiſh Zenobia
热门引用章节
第100页 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
第464页 - Sweet are the uses of adversity, Which, like the toad.' ugly and venomous, Wears yet a precious jewel in his head ; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in, stones, and good in every thing.
第464页 - The seasons' difference; as, the icy fang, And churlish chiding of the winter's wind; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say,— This is no flattery: these are counsellors That feelingly persuade me what I am.
第289页 - For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing and neighing loud, Which is the hot condition of their blood ; If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music...
第85页 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendant bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
第141页 - I'll see, before I doubt; when I doubt, prove; And, on the proof, there is no more but this, — Away at once with love, or jealousy.
第286页 - Tis mightieft in the mightieft; it becomes The throned monarch better than his crown...
第62页 - Suppose we lampoon'd all the pretty women in town and left her out ; or, what if we made a ball, and forgot to invite her, with one or two of the ugliest.
第467页 - If ever been where bells have knoll'd to church ; If ever sat at any good man's feast ; If ever from your eyelids wiped a tear, And know what 'tis to pity and be pitied ; Let gentleness my strong enforcement be : In the which hope, I blush, and hide my sword.
第102页 - The way to dufty death. Out, out, brief candle ! Life's but a walking fhadow ; a poor player, That ftruts and frets his hour upon the ftage, And then is heard no more : it is a tale Told by an idiot, full of found and fury, Signifying nothing.