Special Section, Shakespeare and Montaigne RevisitedThis year including a special section on "Shakespeare and Montaigne Revisited," The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Canada, Sweden, Japan and Australia. This issue includes an interview with veteran American actor Alvin Epstein during his recent acclaimed performance of King Lear for the Actors' Shakespeare project in Boston. |
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第 1 到 3 筆結果,共 4 筆
第 336 頁
Pitch accentuation has been standardized through the standardization of the
language as a whole during the twentieth ... in other words one that minimizes
the effect of pitch accents , but this way of reading is rather removed from the cut
and ...
Pitch accentuation has been standardized through the standardization of the
language as a whole during the twentieth ... in other words one that minimizes
the effect of pitch accents , but this way of reading is rather removed from the cut
and ...
第 338 頁
15 This version contains a possible twenty - two pitch accents compared with a
possible thirty - eight stress accents in the source . The accents come in the
following words in their semantic equivalents ) : ' now ' , ' Hippolyta ' , ' our ' , '
already ' ...
15 This version contains a possible twenty - two pitch accents compared with a
possible thirty - eight stress accents in the source . The accents come in the
following words in their semantic equivalents ) : ' now ' , ' Hippolyta ' , ' our ' , '
already ' ...
第 344 頁
On the basis of accent distribution , this translation can hardly be cited as an
example of alternate leading into ... In the first line of the translation , two of the
three pitch accents after yoshi are within verbs and also all in successive rhythm .
On the basis of accent distribution , this translation can hardly be cited as an
example of alternate leading into ... In the first line of the translation , two of the
three pitch accents after yoshi are within verbs and also all in successive rhythm .
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內容
A Case Study | 21 |
Montaigne Shakespeare | 37 |
Suspicion and Belief in Shakespeares Early Comedies | 56 |
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常見字詞
action appears Arendt argues authority become beginning called Cambridge character Christian claims course critical cruelty cultural Cyprus desire discussion distinction doubt drama early modern effect Elizabethan England English essay example experience fact final give Greek human idea identity imagination influence Japanese Jews John kind King knowledge language Latin Lear literary literature live London means memory mind misogyny Montaigne Montaigne's nature never notes offers original Othello Oxford particular performance perhaps philosophical pitch accents play political position possible present question reading reason refers relation Renaissance represent rhetorical rhythm Roman Rome says scene scepticism seems sense Sextus sexual Shakespeare shows social speech suggests Tamora things thought Timon tion Titus tradition tragedy translation truth understanding University Press Venetian Venice voice writing York