A priori, the true meaning of, i. 193

F.N.

Adelung, grammarian, his opinion
of Opitz, i. 137.
Agreeable, the, defined, ii. 213; a
component part of beauty, 233,
237; distinguished from the Good
and the Beautiful, 239, 244.
Akenside, and C., i. 210.
Alexander and Clytus, i. 5, 206.
Alice Fell, Wordsworth's poem, II. 53.
Alison, his Inquiry, ii. 222, 306.
Allston, Washington, the American
painter, i. 82; his pictures, ii. 223,
224, 237; C. tries to serve, 304,
305; friendship with C., 306.
Amerbach, Vitus, and the law of
association, i. 70.

American Federal Journals, copy
C.'s political opinions, i. 148.
Ancient Mariner, The, genesis of,
ii. 6, 264-5.

Animal Machines, in Descartes'
philosophy, i. 89.

Anti-Jacobin, The Beauties of the, C.
attacked in, i. 49, 222.
Antique, the, leaves us cold, ii. 261,
319; limits to the imitation of,
260-1.

Aquinas, St. Thomas, and the Parva
Naturalia, i. 73.

Architecture, most remote of arts
from Nature, ii. 261; C.'s
interest in, 312.

Ariosto, his use of old stories, ii. 161.
Aristotle, his theory of association,
i. 71-4, 231, 232; and Shake-
speare, ii. 182, 299; on poetry, 33,
IOI; C. adopts his principle of
poetry, 33, 273.

Art, distinguished from Science, ii.
221; pleasure the end of, 224, 307.
See Poetry, Pleasure.

Art, formative, ii. 253 ff.; the begin-
nings of, 253-4; mediates between
nature and man, 254, 318; the
ideal in, 187, 300; the object of,
262, 320.

Artist, the, guided by ideas not
rules, ii. 65, 258, 318; must eloign
himself from Nature, 258, 318;
imitates the spirit of nature,
259.

Arts, the Fine, their common essence,
ii. 221, 305; natural division of,
221, 305; compared, 221, 306.
Association, the theory of, its
history, i. ch. v.; in Hobbes, 69;
Aristotle, 71-3; Hume, 73;
Hartley's theory of discussed, ch.
vi-vii; the true practical general
law of, 87, 237; C.'s views on, sum-
marized, 92; its practical value
for philosophy, ii. 222; its power
to endear objects, 231; no element
in beauty, 232, 236-7, 244,3 II,
312; in English aesthetic, 222,
306.

i. ch. xi; Herder

Atheisto Fulminato, the old monk.
ish play, ii. 185, 300.
Authorship, C. on,
on, 159, 265.
Averroes, his catalogue of Anti-
Mnemonics, i. 35, 217.

Bacon, Sir Francis, his works not
read at present day, i. 38; his lofty
address to his readers, 41; quoted,
193.

Barbauld, Mrs., and C.'s remarks on
Unitarianism, ii. 304.

Barclay, Robert, his Argenis quoted,
i. 106.

Bartram, W., his Travels through
North and South Carolina, &c.1
ii. 128, 294.

Baxter, Richard, i. 154
Beattie, James, and the philosophy

of common sense, 182.
Beauty, or the Beautiful, promis-
cuous use of the term, ii. 224;
defined, 232, 234, 238, 243, 257,
309, 310-11, 314, 318; inde-
pendent of interest, 224, 257, 307;
the medium of aesthetic pleasure,
221, 224, 308; independent of
association, 232, 236-7, 244, 257,
311; the Agreeable as an element
in, 233, 237, 244; definition of, by
the Mystics, 239, 312; belongs
to the intellect, 242; always in-
tuitive, 243; the Shapely an
element in, 234, 257, 309, 311,
318; evolution of, 251; and order,
ib.; its relation to purpose, 245;
to proportion, 245-6; sensuous
and supersensuous, 246; charac-
terlessness of the highest, 319.
Before and After, the sense of, when
intelligible, ii. 207, 301.
Being and Knowing, how recon-
cilable, i. 89-90; their ultimate
identity, 183, ii. 216, 303.
Bell, Dr., his New System of Educa-
tion, ii. 46, 277.

Berkeley, Bishop, C.'s early study of,

i. 93; his Analyst, 196, 271.
Bertram, Maturin's tragedy, the
circumstances attending its pro-
duction, ii. 181-2; its literary
ancestry, 182-4; an adaptation of
Shadwell's Libertine, 193; its
defects exposed, 193-207.
Biographia Literaria, the, its
genesis and purpose, i. xc-xcv;
C.'s account thereof, i. I; why so
long in printing, ii. 131, 209, 295.
Blackmore, Sir Richard, ii. 227,
310.

Blumenbach, the physiologist, C.
studies under at Göttingen, i. 138,
259.

Boccaccio, his dehortation from
marriage, i. 158, 265.

Body and mind, distinguished, i. 88;
their gradual separation, ii. 263.
Boehme, Jacob, and C., i. 95, 103,
242-3; and Schelling, 103, 247;
his pantheism, ii. 112.

Bowles, Rev. W. Lisle, C. prepared
for acquaintance with his poems,
i. 7; C.'s first introduction to, xiii,
8; early zeal for, 9; obligations
to, 9, 15; later attitude towards,
207; criticized by C., xxxiv.
Boydell, John, his engravings, ii.

220.

Boyer, Rev. James, Head Master of
Christ's Hospital, his severe treat-
ment of C., i. 4, 6, 205; his influ-
ence upon C.'s style and taste, 4-6.
Brook, The, C.'s projected poem, i.
129, 257.

Brown, Tom, ii. 40, 275.
Bürger, Klopstock's admiration for,
ii. 177, 298.

Burke, Edmund, his statesmanship,
i. 124-6, 256-7, 146; his Essay
on the Sublime and Beautiful,
ii. 312.
Burnet, Thomas, his Theoria Sacra,
ii. 11, 268.

Byron, Lord, and Zapolya, ii. 212,
302; purity of his diction, ii. 77.

Cabalists, the, their vital-philosophy,
i. 170, 267.

Caliban, a personified abstraction,
ii. 185.

Cambridge Platonists, the, and C., ii.

304.

Carrier, Jean Baptiste, ii. 186, 300.
Cartwright, William, his Royal Slave
quoted, i. 145.

Casimir, Coleridge's opinion of his
poetry, ii. 209, 301.

Castle of Otranto, The, its influence

on the German Drama, ii. 184.
Castle Spectre, The, Monk Lewis's
drama, ii. 227.

Cato, Marcus, his character com-

pared with Southey's, i. 48, 222.
Cause and effect, Hume's destructive
analysis of, i. 83, 93, 236; the
sense of, consolatory to man, ii.
207-8.

Cecilia, St., legends concerning her
patronage of music, i. 42, 220.
Chantrey, Sir Francis, sculptor,
significance of his Sleeping
Children', ii. 261, 319.

Chaucer, his genial temper, i. 21,

213; a master of the neutral style,
ii. 71, 283.
Christabel, C.'s poem, C.'s view
in writing, ii. 6, 265; its treat-
ment by critics, i. 210, 302.
Christianity, C. on the evidences
of, ii. 215-16.

Church, The English, folly of the
clamours against its property, i.
156.

Cid, The, Southey's poem, its unique
character, i. 42 F. N., 220.
Cimarosa, the Italian composer, ii.
231, 310.

Cipriani, the Italian painter, ii. 187,
301.

Clergyman's vocation, its advantages
and opportunities, i. 155.
Cogito ergo sum, the Cartesian, C.'s
introduction to, i. 95, 242; criti-
cized, 185 F.N.

Coleridge, Samuel Taylor, his child-
hood, i. xi-xii; school days, 4 ff.;
early style, 3, 16; taste moulded
by Boyer, xiii, 5 ff.; premature
devotion to metaphysics, 9; intro-
duction to Bowles's poems, xiii,
8 ff., 15-16; his first volumes of
poems, 1, 3, 203, 204, 205, 207;
introduction to the Evans family,
10, 207; converted to Unitarianism,
114, 252; first acquaintance with
Southey, 49 F.N.; with Words-
worth's Descriptive Sketches, 56;
publishes The Watchman, 114 ff.,
251, 254; introduced to Thomas
Poole, 254; settles at Stowey, 122,
255; an ardent follower of Hartley,
120; intercourse with Wordsworth,
ib.; suspected of Jacobinism, 122,
256; abandons politics for philo-
sophy, 132; visits Germany, 137 ff.
(see also Satyrane's Letters); writes
on politics for the Morning Post,
141 ff., 261, 262; for the Courier,
145, 262; settles at Keswick, xxix;
loss of poetic power, ib. ; his visit
to Malta, xlvi, 147; publishes
The Friend, 110-14; lectures in
London, 1-lii, 38, 213, 218; in
Bristol, liii; writes and publishes
the Biog. Lit., liv-lvi, xc-xcii, 1,
131, 209, 295; writes Essays on

Criticism for Felix Farley's Jour-
nal, ii. 304.

Coleridge, S. T., and Bowles, i.
xiii, 8 ff., 15-16, 207; Berkeley,
xiv, 93; Hartley, xiv, xxv, xxix,
121; Locke, xiv, xxix; Plato, 94,
241; the Neoplatonists, ib.; Bruno,
ib.; Goethe, xxvii, 261; Southey,
222; Wordsworth, xc ff., 58, 122,
223; Maass, 230-1; Boehme, 95,
103, 242-3; Descartes, 95, 242;
Kant, i. xli ff., xliii, lvii-lix, 99;
Fichte, xlvii, lix, 101; Schiller,
xxvii, lxxxix, 261; Lessing, xxvii-
viii, ii. 156, 296; Schelling, lx-
lxxxviii, 95 ff., 102, 243-4, 247,
268. (See also under the various
names and subjects.)

Colours, single, how far susceptible
of beauty, ii. 238, 312.
Commonsense, defined, i. 63 F.N.;
the so-called philosophy of, criti-
cized, 182; its place in philosophy,
89, 179; an element in genius,
ii. 13, 64, 268.
Compound epithets, in C.'s early
poems, i. 2, 204; affected by
young poets, ib.
Conditions and causes confused, i.
85, 236.

Conscious, the, and the Unconscious,
their concurrence in the act of
knowledge, i. 174, 268; in works
of art, ii. 258, 318.
Consciousness, the philosophic, i.
164; varying powers of, 172.
Contemporaneity, its function in
association, i. 85-7, 237.
Continuity and contemporaneity
distinguished, i. 87, 237.

Cork, The Earl of, and The Friend,
i. iii.

Courier, The, C. writes for, i. 38,
145-7, 218.

Covenanters, the, i. 130, 258.
Cowley, Abraham, his school, i. 15;
his translation of Pindar, ii. 66;
Essay on Cromwell, 97; his
Latinity, 209.

Cowper, William, his Task, defects
of, i. 16 F. N.; and Thomson, ib.;
C.'s acquaintance with his Task,
ib., 211.

Critical Journals, see Reviews.
Criticism, faulty methods of, i. 43,
220; its ultimate end, ii. 63; value
of C.'s, i. lxxxvii.

Critics, the, and C.'s early poems,
i. 2, 204, 205; English, why they
adopt their profession, 27-9; C.'s
obligation to, 34, 39; their vile
methods, 43. See also Reviews.
Crowe, William, his Lewsdon Hill,
i. II, 208.

Crystals, the beauty of, ii. 232, 238.
Cumberland, Richard, his Calvary,
i. 107, 289.

Daniel, Samuel, his poetry an example

of the neutral style, ii. 61, 280-1;
Wordsworth and, ii. 119, 292.
Dark Ladie, The Ballad of the, C.'s
poem, its genesis, ii. 6, 265.
Darwin, Erasmus, his Botanic Gar-
den, i. ii, 209; Zoonomia, ii.
229.

Davenant, Sir William, on poetic
truth, ii. 101, 288.

Degree, and kind, philosophic im-
portance of the distinction, i. 108.
Dejection, An Ode, C.'s poem, i.
Xxxvi-viii, ii. 240-1, 313.
Delaforge, a follower of Descartes,
i. 68, 229, 232.

Delirium, distinguished from mania,
i. 62, 225.

Demosthenes, C.'s early admiration
for, i. 4.

Descartes, anticipates Hobbes, i. 67,
229; founds language on associ-
ation, 68; introduces system of
Dualism, 88, 238; his 'animal
machines,' 89, 238; C.'s first study
of, 95, 242; his scientific scep-
ticism, 177.

Descriptive Sketches, Wordsworth's
early poem, i. 58 F.N.
Destiny of Nations, The, C.'s poem,
his philosophy in, i. xvii-xix.
Diction, Poetic, see Poetic.

Dictionary, Dr. Johnson's, see John-

son.

Discourse (of Reason), i. 109 F.N.
Dodsley's Collection of Poems, ii.
66,282.

Donne and his school, characteristic

faults of, i. 15; vividness of his
language, ii. 56.

Drama, the modern, denounced, ii.
158 ff.; the so-called German,
analysed, 182 ff.

Drury Lane Theatre, its rehabilita-
tion, ii. 181.
Dryden, C., his 'forest-fiend'

adopted in Bertram, ii. 206; vivid-
ness of his descriptions, 56.
Dyer, George, his theory of poetry
criticized by C., ii. 307.

Ebeling, Professor, C. visits in
Germany, ii. 155-6.
Edinburgh Review, The, its hostility
to Southey, i. 36 F. N: the Lake
school' criticized in, ib., 217;
malignant reviews of Christabel
and The Statesman's Manual in,
ii. 211, 214, 302; criticized by C.,
86 ff.
Education, faults in modern, i. 7-8,
206; national, advocated by C. in
Watchman, 120; and veracity,
ii. 116.

Eichhorn, Professor, C. attends his
lectures at Göttingen, i. 138, 259.
Elbingerode, C.'s Lines written in
an Album at, ii. 312.

Engel, J. J., and Kant, ii. 177, 298.
Epithets, Compound, see Com-
pound.

Esemplastic, a word coined by C.
to denote the power of imagina-
tion, i. lxiii, 107, 249.
Evans, the family of, i. 10, 207.
Evening Walk, The, Wordsworth's
poem, i. 58.

Excursion, The, C.'s expectations of,
ii. 129, 295; criticized in Edin-
burgh Review, 90 ff.; C. praises
diction of, 101, 288.

Faculty, C.'s use of the term,
i. lxxxvi.

Faith, a collective energy, i. 84, 236;
and knowledge, ii. 216, 303.
Fanaticism, defined, i. 19.
Fancy, the debasement of, i. 87; its
mode of operation, 202, 272; in
Wordsworth's poems, ii. 124,
293; the ape of memory, 208;

extravagances of, 250, 316; illus-
trated, ib.; its distinction from
imagination, see Imagination.
Felix Farley's Journal, C.'s Essays
on Criticism published in, ii. 305.
Female Vagrant, The, Words-
worth's poem, its influence on
C.'s theory of imagination, i. 58,

224.

Fesch, Cardinal, warns C. of his

danger from Napoleon, i. 145.
Fichte, expelled from Jena, i. 100,
246; his Wissenschaftslehre, 101-
2, 246-7; his subjective idealism
burlesqued by C., 102, F.N.; his
influence on C., xlvii, lix, IOI;
his contribution to philosophy,
IOI, 104.

Ficinus, Marsilius, see Marsilius.
Fine Arts, the, see Arts.

Fletcher, Judge, C.'s letters to, i.
126, 257.

Forces, the two antagonistic, in
intelligence, i. 188, 270.
Form, regularity of, in beauty,
ii. 257; and idea, 259; proceed-
ing and superinduced, 262.
Fox, Charles, and the Morning
Post, i. 145, 262; his correspond-
ence with Wakefield, i. 165, 266.
Fox, George, i. 97, 244.

France, An Ode, C.'s poem, em-
bodies his disappointment in the
Revolution, i. 253; quoted, 132,
258.

Freedom, the medium through
which spirits communicate, i. 168;
must be assumed as a ground of
philosophy, 185.

French tragedians, their self-con-
sciousness, i. 14, 210.
French drama, its merits, ii. 158;
its boasted regularity exposed by
Lessing, 182.

Garve, his description of the neutral
style, ii. 70, 282.
Gassendi, the opponent of Cartesian-
ism, i. 66, 228.

Gellert, his style criticized by Garve,

ii. 70.

Genius, supposed irritability of men
of, i. ch. ii; absolute and com-

manding distinguished, 20, 21;
tranquillity of true, 20; an ana-
logon of, 24; sensibility an
element in, 30; definition of, in
The Friend, 59, 225; and talent,
153, 264; and virtue, ib.; and
poverty, 152; and good sense,
ii. 13, 268; and method, 268;
the Unconscious in, 268.
Genius, Poetic, a rare plant, ii. 105,
289; the essential marks of,
14-16; the true sources of its
discrimination, 63.
Geometry, the primary construction
of, postulated, i. 171; its demon-
strations compel assent, ii. 225.
German literature, C. summarizes
history of, i. 139–41.

German drama, see Drama.
Glover, R., his blank verse preferred

by Klopstock to Milton's, ii. 170.
Γνῶθι σεαυτόν, the postulate of
philosophy, i. 173; the prime
rule of metaphysics, ii. 212; C.'s
later opinion of, i. 268.

GOD, pretended evidences of, i. 77;
scholastic definition of, i. 94; idea
of, C.'s early speculations upon,
133; the goal of transcendental
philosophy, 183; the only solution
of the mystery of the universe,
lxxxi.

Goethe, on subjective poetry, i. 216;
on antique art, ii. 319; C.'s
attitude towards, i. xxx, 261.
Grand, the, defined, ii. 309.
Gray, Thomas, C.'s early distaste

for, i. 12, 25 F.N., 215; his use
of personification, 12, 209; Words-
worth and, 26 F.N.

Grenville, Lord, his fears of a
revolution, i. 142.

Greville, Fulke, a patron of Bruno,
i. 94.

Hamburg, C.'s visit to, ii. 150 ff.,
168.

Harmony, an element in beauty,
ii. 233, 245; pre-established, the
doctrine of, i. 89, 238.
Harrington, James, i. 38, 218.
Harris, James, of Salisbury, on
taste, ii. 26, 272.