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Could mock the groans of fellow-men, and bear The curse of kingdoms peopled with despair; Could stamp disgrace on man's polluted name, And barter, with their gold, eternal shame!

But hark! as bow'd to earth the Bramin kneels, From heavenly climes propitious thunder peals! Of India's fate her guardian spirits tell, Prophetic murmurs breathing on the shell, And solemn sounds that awe the listening mind, Roll on the azure paths of every wind.

"Foes of mankind! (her guardian spirits say,) Revolving ages bring the bitter day,

When Heaven's unerring arm shall fall on you, And blood for blood these Indian plains bedew; Nine times have Brama's wheels of lightning hurl'd

His awful presence o'er the alarmed world; Nine times hath Guilt, through all his giant

frame,

Convulsive trembled, as the Mighty came;
Nine times hath suffering Mercy spared in vain-
But Heaven shall burst her starry gates again!
He comes! dread Brama shakes the sunless sky
With murmuring wrath, and thunders from on
high,

Heaven's fiery horse, beneath his warrior form,
Paws the light clouds, and gallops on the storm!
Wide waves his flickering sword; his bright arms

glow

Like summer suns and light the world below!

Earth, and her trembling isles in Ocean's bed,
Are shook; and Nature rocks beneath his tread!
"To pour redress on India's injured realm,
The oppressor to dethrone, the proud to whelm ;
To chase destruction from her plunder'd shore
With arts and arms that triumph'd once before,
The tenth Avatar comes! at Heaven's command
Shall Seriswattee wave her hallow'd wand!
And Camdeo bright, and Ganesa sublime,
Shall bless with joy their own propitious clime!—
Come, Heavenly Powers! primeval peace restore!
Love-Mercy!-Wisdom!-rule for evermore!"

PLEASURES OF HOPE.

PART THE SECOND.

ANALYSIS OF PART II.

APOSTROPHE to the power of Love-its intimate connection with generous and social Sensibility-allusionto that beautiful passage in the beginning of the Book of Genesis, which represents the happiness of Paradise itself incomplete, till love was superadded to its other blessings-the dreams of future felicity which a lively imagination is apt to cherish, when Hope is animated by refined attachment-this disposition to combine, in one imaginary scene of residence, all that is pleasing in our estimate of happiness, compared to the skill of the great artist who personified perfect beauty, in the picture of Venus, by an assemblage of the most beautiful features he could find-a summer and winter evening described, as they may be supposed to arise in the mind of one who wishes, with enthusiasm, for the union of friendship and retirement.

Hope and Imagination inseparable agents-even in those contemplative moments when our imagination wanders beyond the boundaries of this world, our minds are not unattended with an impression that we shall some day have a wider and more distinct prospect of the universe, instead of the partial glimpse we now enjoy.

The last and most sublime influence of Hope is the concluding topic of the poem--the predominance of a belief in a future state over the terrors attendant on dissolution-the baneful influence of that sceptical philosophy which bars us from such comforts-allusion to the fate of a suicide-episode of Conrad and Ellenore-conclusion.

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