masque, 268; military experience,
274; his confidence in his art, 290;
sought the King's aid, 290; A Tale
of a Tub, xvii; Charis VIII, xviii;
Chloridia, x; Cynthia's Revels,
XXXV; Devil is an Ass, xii; Every
Man In, xv, xxxi, xxxv; Every
Man Out, xv, xxxi; Gipsies Me-
tamorphosed, xxvi; Horace, xxii;
Love's Triumph Through Calli-
polis, x; Magnetic Lady, x, xvi,
xvii, xxxii; New Inn, its reception,
xi; why the play failed, xxix ff.;
sources, xliii ff.; Sad Shepherd,
xl; Silent Woman, xxxvii; Staple
of News, x, xvi.
Jordan, 248.
Waterings, St. Thomas à, 167.
Whalley, his method of editing, vii;
rearrangement of the text, 225,
234; accounting for the failure of
the play, 267.
Whêr 278.
Whey, clarified, 160.
Whip-stock, 233.
Widow, episode parallel in the, xliii.
With a witness, 265.
Woodbridge, Miss, remarks on lack
of plot in Every Man In, xxXV;
on slightness of love-motive in
Every Man In, xxxvii; criticism
of The New Inn, lxxiii.
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