Shakespeare Survey, 第 22 卷

封面
Kenneth Muir
Cambridge University Press, 2002年11月28日 - 212 頁
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set.
 

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OLD AND NEW COMEDY
1
AN APPROACH TO SHAKESPEARIAN COMEDY
7
SHAKESPEARE MOLIERE AND THE COMEDY OF AMBIGUITY
15
COMIC STRUCTURE AND TONAL MANIPULATION IN SHAKESPEARE AND SOME MODERN PLAYS
27
THE TWO GENTLEMEN OF VERONA AND THE POPULAR TRADITION OF COMEDY
35
SHAKESPEARIAN AND JONSONIAN COMEDY
43
THE TEMPEST AND THE ALCHEMIST
47
TRANSFORMATION IN PERICLES AND THE WINTERS TALE
59
WHY DOES IT END WELL? HELENA BERTRAM AND THE SONNETS
79
SOME DRAMATIC TECHNIQUES IN THE WINTERS TALE
93
CLEMENCY WILL AND JUST CAUSE IN JULIUS CAESAR
109
THOMAS BULL AND OTHER ENGLISH INSTRUMENTALISTS IN DENMARK IN THE 15805
119
SHAKESPEARE IN THE EARLY SYDNEY THEATRE
125
THE REASON WHY THE ROYAL SHAKESPEARE SEASON 1968 REVIEWED
135
THE YEARS CONTRIBUTIONS TO SHAKESPEARIAN STUDY
145
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THE WORDS OF MERCURY
69

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