The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
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第 1 到 5 筆結果，共 31 筆
第 v 頁
... prose , or a passage of poetry . - Examples : A sentence from Addison , where Mr Walker's Rule directs only to one accent or inflexion , while the full Melody requires ninety - three accents , Three hundred and eighty - eight questions ...
... prose , or a passage of poetry . - Examples : A sentence from Addison , where Mr Walker's Rule directs only to one accent or inflexion , while the full Melody requires ninety - three accents , Three hundred and eighty - eight questions ...
第 ix 頁
... prose or verse , as much in the same manner as masters of music , who , throughout the whole kingdom , teach exactly the same notes of the same piece , and differ only in their knowledge of the art , the varieties of voice , and the ...
... prose or verse , as much in the same manner as masters of music , who , throughout the whole kingdom , teach exactly the same notes of the same piece , and differ only in their knowledge of the art , the varieties of voice , and the ...
第 x 頁
... prose , his exact tune and time . 8. By this , the art of accurate reading and speaking is greatly simplified , because all its ne- cessary parts are constantly before the eye of the pupil . He sees at one glance , not only the words ...
... prose , his exact tune and time . 8. By this , the art of accurate reading and speaking is greatly simplified , because all its ne- cessary parts are constantly before the eye of the pupil . He sees at one glance , not only the words ...
第 xiii 頁
... prose and verse , but which ought to be of verse and prose , or at that age or state of improvement when they generally begin to learn the English Grammar , they are perfectly qualified to begin this Book . This is not , as many may be ...
... prose and verse , but which ought to be of verse and prose , or at that age or state of improvement when they generally begin to learn the English Grammar , they are perfectly qualified to begin this Book . This is not , as many may be ...
第 47 頁
很抱歉，此頁的內容受到限制.
很抱歉，此頁的內容受到限制.
內容
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words