The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
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內容
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
Emphasis whatOrganic and Syllabic Empha | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
The Slaves Complaint | 255 |
The Sound Critic | 264 |
Infancy | 270 |
Set to | 276 |
Set to the Music | 284 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Brutuss Oration on the Death of Cæsar | 346 |
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常見字詞
১১ accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis articulation Artificial Feet artificial prosody called circumflex composed degrees diphthong distinct elocution English equal Examples eyes force full melody Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation properly proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words م ر م م م م مم مم م ممم