An Anatomy of DramaT. Smith, 1976 - 125 頁 An internationally recognized scholar and critic provides insight into the nature of dramatic expression as he explores the common and distinguishing features of a wide range of dramatic media. |
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Absurdist acted action actors artists audience audience's basic Beckett become Bertolt Brecht Brecht characterisation characters cinema classical clearly comedy communication complex concentrating concepts concrete consciousness costume critics dialogue director dramatic form dramatic media dream effect emotion epic example expression fact fantasy farce feel fiction film genres Gerhart Hauptmann gestures Hamlet happen human behaviour Ibsen illusion imagined impact of drama important insights interest and suspense internal monologue Ionesco kind language laugh literature live theatre look Marcel Marceau MARTIN ESSLIN mass media means merely mind mode nature Noel Coward novel Othello pattern performance Pinteresque play playwright poetic poetry political powerful produce prose radio drama reaction realistic reality ritual romantic scene seen sense Shakespeare situation social society spectator story style suspense element Tartuffe television and radio tend theatrical tion tragedy tragi-comedy truth Verfremdungseffekt verse Waiting for Godot wanted well-made play words writing

