 | 1813 - 410 頁
...and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion,— Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1821 - 516 頁
...saws and modern instances, And so he plays his part: the sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on...in his sound : last scene of all, ' That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | 1826 - 408 頁
...saws and modern instances, And so he plays his part: The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on...pipes And whistles in his sound : Last scene of all, f That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth,... | |
 | James Hedderwick - 1833 - 232 頁
...and modern instances; And so he plays his part! — The sixth age shifts Into the lean and slipper'd Pantaloon, With spectacles on nose, and pouch on side;...his sound ! — Last scene of all, That ends this strange, eventful history, Is second Childishness, and mere Oblivion; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1836 - 554 頁
...belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern i instances, And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1838 - 484 頁
...and modern1' instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1839 - 550 頁
...belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern 1 instances, And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
 | William Shakespeare, Thomas Price - 1839 - 478 頁
...and modern^ instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on...whistles in his sound: Last scene of all, That ends this strange eventful history, la second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1840 - 60 頁
...saws and modern instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1841 - 362 頁
...instances ; And so be plays his part : the sixth age shifts Into the lean and slipper'd pantaloon ; e With spectacles on nose, and pouch on side ; His youthful...whistles in his sound : last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
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Made to his mistress' eyebrow. Then a Soldier, Full of strange oaths, and bearded like the pard ; Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the Justice, In fair round belly with good... 
