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" Such as from earth's embrace the salt ooze breeds, Is this ; an uninhabited sea-side, Which the lone fisher, when his nets are dried, Abandons ; and no other object breaks The waste, but one dwarf tree and some few stakes... "
Temple Bar - 第 548 頁
由 編輯 - 1861
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The Edinburgh Review: Or Critical Journal, 第 69 卷

1839 - 618 頁
...shore, . . a wide and melancholy waste j. Of putrid marshes.' ..... Or the tame coast of Lido. 'That bank of land which breaks the flow Of Adria towards Venice — a bare strand Of hillocks, heap'd from every shifting sand : Malted with thistles and amphibious weeds ; an uninhabited sea-side,...
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Posthumous Poems of Percy Bysshe Shelley

Percy Bysshe Shelley - 1824 - 438 頁
...perhaps be found a sufficient comment for the text of every heart. JULIAN AND MADDALO ; A CONVERSATION. I RODE one evening with Count Maddalo Upon the bank...ever-shifting sand, Matted with thistles and amphibious weeds, i . Such as from earth's embrace the salt ooze breeds, Is this ; an uninhabited sea-side, Which the...
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Memoirs of the Life and Writings of Lord Byron

George Clinton - 1825 - 826 頁
...them have given an interest to this work in addition to that which its own beauty confers on it: ' I rode one evening with Count Maddalo Upon the bank...from ever-shifting sand, Matted with thistles and amphihious weeds, Such as from earth's embrace the salt ooze breeds, Is this; an uninhahited sea-side,...
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The Poetical Works of Coleridge, Shelley, and Keats: Complete in One ..., 第 1 卷

Samuel Taylor Coleridge - 1829 - 575 頁
...exclamationi of bit agony will perhapt be found a lufflcient comment for ihe text of every heart. I BODE !4F G G =KG ) Al7 G E 2wF{G|G FqGfG?:@: 6}= hare strand Of hillocks, hcap'd from ever-shifting sand. Matted with thirties and amphibious weed*,...
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The Poetical Works of Coleridge, Shelley, and Keats: Complete in One Volume

Samuel Taylor Coleridge - 1831 - 628 頁
...unconnected exclamations of his agony will perhaps be found a sufficient comment for the text of every heart. heap'd from ever-shifting sand, * The greater part of these pieces first appeared after their author's...
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The Works of Percy Bysshe Shelley, with His Life, 第 1 卷

Percy Bysshe Shelley - 1834 - 888 頁
...Venice : a hare strand Of hillocks, heaped from ever-shifting sand, Matted with thistles and amphihious weeds, Such as from earth's embrace the salt ooze breeds, Is this ; an uninhahited sea-side, Which the lone fisher, when his nets are dried, Ahandons ; and no other object...
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The Poetical Works of Coleridge, Shelley, and Keats: Complete in One Volume

Samuel Taylor Coleridge - 1838 - 634 頁
...unconnected exclamations of his agony will perhaps be found a sufficient comment for the text of every heart. I RODE one evening with Count Maddalo Upon the bank...which breaks the flow Of Adria towards Venice: a bare -rr.-uid Of hillocks, heap'd from ever-shifting sand, « The greater part of then; pieces first appeared...
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The Poetical Works of Percy Bysshe Shelley

Percy Bysshe Shelley - 1839 - 408 頁
...unconnected exclamations of his agony will perhaps be found a suffieient comment for the text of every heart. I RODE one evening with Count Maddalo Upon the bank of land which breaks the flow Of Adria towards Veniee : a bare strand Of hillocks, heaped from ever-shifting sand, Matted with thistles and amphihious...
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The Poetical Works of Percy Bysshe Shelley

Percy Bysshe Shelley - 1840 - 402 頁
...is a sort of intoxieation ; men are held by it ai by a spell. He has travelled mueh ; and there is I RODE one evening with Count Maddalo Upon the bank of land whieh breaks the flow Of Adria towards Veniee : a bare strand Of hilloeks, heaped from ever-shifting...
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Sights and Thoughts in Foreign Churches and Among Foreign Peoples

Frederick William Faber - 1842 - 672 頁
...and I was left to my own meditations. Who does not recognize the Lido in the poet's description ? " The bank of land which breaks the flow Of Adria towards Venice ; a bare strand Of hillocks, heap'd from ever-shitting sand, Matted with thistles and amphibious weeds, Such as from earth's embrace...
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