Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 頁 This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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第 1 到 3 筆結果,共 91 筆
第 22 頁
... word , " stronger , " which is turned to the preceding line because it would not fit on the last line : the compositor set a comma at the end of line 13 , an open bracket ( with no preceding space ) to mark the turned - up word , and ...
... word , " stronger , " which is turned to the preceding line because it would not fit on the last line : the compositor set a comma at the end of line 13 , an open bracket ( with no preceding space ) to mark the turned - up word , and ...
第 127 頁
... word in a different sense ) , epizeuxis ( the repetition of a word with no other words between ) , diacope ( the repetition of a word with one or a few other words between ) , polypton ( the repetition of words from the same root but ...
... word in a different sense ) , epizeuxis ( the repetition of a word with no other words between ) , diacope ( the repetition of a word with one or a few other words between ) , polypton ( the repetition of words from the same root but ...
第 358 頁
... word is repeated . Capell ( 1766 ) adopts an approach similar to Massey's by omitting " rebbell , " although this makes the compositorial error harder to explain . Rollins ( 1951 ) and Burto print line 2 as in the Quarto but consider it ...
... word is repeated . Capell ( 1766 ) adopts an approach similar to Massey's by omitting " rebbell , " although this makes the compositorial error harder to explain . Rollins ( 1951 ) and Burto print line 2 as in the Quarto but consider it ...
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常見字詞
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM