Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 頁 This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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第 1 到 3 筆結果,共 42 筆
第 47 頁
... person address to the ses- tet's third - person . This blending of two themes in one sonnet is a technique that Shakespeare will use again in the sequence . The degree to which he does this seamlessly may vary , but he usually manages ...
... person address to the ses- tet's third - person . This blending of two themes in one sonnet is a technique that Shakespeare will use again in the sequence . The degree to which he does this seamlessly may vary , but he usually manages ...
第 218 頁
... person can be that person ; and it is unproductive to use one's subject as a simile for itself . " But of course it is studied and ridiculous — it is a sonnet , an elaborate hyperbole in fourteen lines of iambic pentameter . What is ...
... person can be that person ; and it is unproductive to use one's subject as a simile for itself . " But of course it is studied and ridiculous — it is a sonnet , an elaborate hyperbole in fourteen lines of iambic pentameter . What is ...
第 271 頁
... person in the world he considers more than " nothing , " his " Rose , " the beloved young man . The question is whether we believe him . Line 7 is not adequately explained by the usual gloss of " Just to the time " as " punctual ...
... person in the world he considers more than " nothing , " his " Rose , " the beloved young man . The question is whether we believe him . Line 7 is not adequately explained by the usual gloss of " Just to the time " as " punctual ...
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常見字詞
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM