Disney Discourse: Producing the Magic Kingdom

Eric Smoodin
Routledge, 2013年1月11日 - 272 頁
Hirohito and his Mickey Mouse watch, Goofy and Donald as our "Goodwill Ambassadors:" Disney Discourse is an interdisciplinary examination of the founder and his empire. These essays use an interdisciplinary approach to read through Disney's domestic cultural production "innocent" national icons, as well as theme parks, cartoons and television to analyze the global impact of American popular culture, the politics of Disney, and the complex reception Disney productions have received around the world.

The Disney corporation's ever-increasing visibility the opening of Euro Disney and new stores in malls and vast influence over global culture demands critical attention not only in film and television studies, but in international diplomacy, architecture, economics and other related fields. Disney Discourse consolidates the best of the current work on Disney and provides a representative sample of past analyses of the Disney empire.

Contributors: Julianne Burton-Carvajal, Lisa Cartwright, Brian Goldfarb, Richard deCordova, Douglas Gomery, David Kunzle, Jon Lewis, Moya Luckett, Richard Neupert, Susan Ohmer, José Piedra, Mitsuhiro Yoshimoto, Alexander Wilson.

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A Disney Archaeology
Walt Disney
Film Phenomena
The Magic Worlds of Walt Disney
A Reinterpretation
Family Business and the Business
Disneys Color Prototypes
Looking Southward with Disney
Pato Donalds Gender Ducking
On Disneys Health Education Films
Tokyo Disneyland and Japanese
Childhood Consumerism
Cultural Constructions of Disneys Masterpiece

Walt Disneys EPCOT Center

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關於作者 (2013)

Eric Smoodin is an Associate Professor of Literature at American University, Washington D. C. He is the author of Animating Culture: Hollywood Cartoons From the Sound Era.