Textual Performances: The Modern Reproduction of Shakespeare's DramaLukas Erne, Margaret Jane Kidnie Cambridge University Press, 2004年5月13日 - 229 頁 This important collection brings together leading scholars to examine crucial questions regarding the theory and practice of editing Shakespeare's plays. In particular, the essays look at how best to engage editorially with evidence provided by historical research into the playhouse, author's study and printing house. How are editors of playscripts to mediate history, in its many forms, for modern users? Considering our knowledge of the past is partial (in the senses both of incomplete and ideological) where are we to draw the line between legitimate editorial assistance and unwarranted interference? In what innovative ways might current controversies surrounding the mediation of Shakespeare's drama shape future editorial practice? Focusing on key points of debate and controversy, this collection makes a vital contribution to a better understanding of how editorial practice (on the page and in cyberspace) might develop in the twenty-first century. |
搜尋書籍內容
第 1 到 5 筆結果,共 94 筆
第 頁
... PLAY 7. ' Your sum of parts ' : doubling in Hamlet Ann Thompson and Neil Taylor 8. The perception of error : the ... plays : the ( textual ) politics of performance commentary Barbara Hodgdon Index 194 210 224 Illustrations PLATES I ...
... PLAY 7. ' Your sum of parts ' : doubling in Hamlet Ann Thompson and Neil Taylor 8. The perception of error : the ... plays : the ( textual ) politics of performance commentary Barbara Hodgdon Index 194 210 224 Illustrations PLATES I ...
第 頁
... plays he has edited is the Arden3 Othello . JOHN JOWETT is Reader in Shakespeare Studies at the Shakespeare In- stitute , University of Birmingham . He edited plays for the Oxford Shakespeare Complete Works ( 1986 ) . He is currently an ...
... plays he has edited is the Arden3 Othello . JOHN JOWETT is Reader in Shakespeare Studies at the Shakespeare In- stitute , University of Birmingham . He edited plays for the Oxford Shakespeare Complete Works ( 1986 ) . He is currently an ...
第 1 頁
... matter ? How will our critical response to a Shakespeare play be shaped by an increased awareness of the choices informing modern editorial mediation ? Let us start at the end ; Hamlet's end . For that , as we all know I Introduction.
... matter ? How will our critical response to a Shakespeare play be shaped by an increased awareness of the choices informing modern editorial mediation ? Let us start at the end ; Hamlet's end . For that , as we all know I Introduction.
第 2 頁
... play dramatize gender distinctions . In a play which interrogates masculinity so incisively , which has the male protagonist end with the traditionally feminine suicide ( poison ) and Juliet with the mas- culine ( she resolutely stabs ...
... play dramatize gender distinctions . In a play which interrogates masculinity so incisively , which has the male protagonist end with the traditionally feminine suicide ( poison ) and Juliet with the mas- culine ( she resolutely stabs ...
第 3 頁
... play best known to modern readers and theatregoers , the first quarto of 1600 , he disappears entirely from the play . Yet in the Folio , he reappears in the last scene speaking most of the lines given in QI to Philostrate , the Master ...
... play best known to modern readers and theatregoers , the first quarto of 1600 , he disappears entirely from the play . Yet in the Folio , he reappears in the last scene speaking most of the lines given in QI to Philostrate , the Master ...
內容
The two texts of Othello and early modern constructions of race | 21 |
Work of permanent utility editors and texts authorities and originals | 37 |
Housmania episodes in twentiethcentury critical editing of Shakespeare | 49 |
Addressing adaptation Measure for Measure and Sir Thomas More | 63 |
The New Bibliography and its critics | 77 |
Scholarly editing and the shift from print to electronic cultures | 94 |
Your sum of farts doubling in Hamlet | 111 |
The perception of error the editing and the performance of the opening of Coriolanus | 127 |
Modern spelling the hard choices | 143 |
The staging of Shakespeares drama in print editions | 158 |
Open stage open page? Editing stage directions in early dramatic texts | 178 |
Two varieties of digital commentary | 194 |
New collaborations with old plays the textual politics of performance commentary | 210 |
224 | |
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常見字詞
A. E. Housman actors annotation Arden3 argue Bevington Bibliography Calchas Cambridge University Press choice Clarendon Press commentary Coriolanus document doubling early modern editorial practice editors electronic medium Elizabethan emendation English essays evidence example exit F-only facsimile Folio text Folio version foul papers Gary Taylor Greg's Hamlet Henry Henry VI Honigmann Ibid imagine instance interpretation John Jowett King Lear kiss lines London Love's Labour's Lost Malone Society manuscript McKerrow means Menenius Michael Warren Middleton modern editions modern spelling notes options original Othello Oxford Shakespeare passages performance play play-texts Player possible present printed texts printer's copy printers problem promptbooks readers reading revision Richard role Romeo and Juliet Sanders scene scholars script Second Citizen second quarto Shakespeare Quarterly Shakespeare's drama Sir Thomas speech prefixes stage directions suggests Textual Criticism theatre theatrical thou Troilus and Cressida two-text users variants Variorum W. W. Greg William word Woudhuysen