Textual Performances: The Modern Reproduction of Shakespeare's DramaLukas Erne, Margaret Jane Kidnie Cambridge University Press, 2004年5月13日 - 229 頁 This important collection brings together leading scholars to examine crucial questions regarding the theory and practice of editing Shakespeare's plays. In particular, the essays look at how best to engage editorially with evidence provided by historical research into the playhouse, author's study and printing house. How are editors of playscripts to mediate history, in its many forms, for modern users? Considering our knowledge of the past is partial (in the senses both of incomplete and ideological) where are we to draw the line between legitimate editorial assistance and unwarranted interference? In what innovative ways might current controversies surrounding the mediation of Shakespeare's drama shape future editorial practice? Focusing on key points of debate and controversy, this collection makes a vital contribution to a better understanding of how editorial practice (on the page and in cyberspace) might develop in the twenty-first century. |
搜尋書籍內容
第 1 到 5 筆結果,共 69 筆
第 頁
... Folio ( 1623 ) , sig . Pp4 ( Through Line Number 1568–91 , Act 3.2 ) . 189 TABLES 7.1 Casting chart for QI Hamlet from Arden3 , ed . Thompson and Taylor 116 7.2 Casting chart for Q2 Hamlet from Arden3 , ed . Thompson and Taylor 118 7.3 ...
... Folio ( 1623 ) , sig . Pp4 ( Through Line Number 1568–91 , Act 3.2 ) . 189 TABLES 7.1 Casting chart for QI Hamlet from Arden3 , ed . Thompson and Taylor 116 7.2 Casting chart for Q2 Hamlet from Arden3 , ed . Thompson and Taylor 118 7.3 ...
第 頁
... Folio are cited by Through Line Number ( TLN ) from Charlton Hinman's The Norton Facsimile : The First Folio of Shakespeare , 2nd edn , with an introduction by Peter W. M. Blayney ( New York : Norton , 1996 ) . OED refers to the second ...
... Folio are cited by Through Line Number ( TLN ) from Charlton Hinman's The Norton Facsimile : The First Folio of Shakespeare , 2nd edn , with an introduction by Peter W. M. Blayney ( New York : Norton , 1996 ) . OED refers to the second ...
第 2 頁
... Folio rather than the second quarto of 1604/5 , they straightforwardly followed their copy - text which reads : " The rest is silence . O , o , o , o . ' The four letters can of course be construed in a variety of ways , from a ...
... Folio rather than the second quarto of 1604/5 , they straightforwardly followed their copy - text which reads : " The rest is silence . O , o , o , o . ' The four letters can of course be construed in a variety of ways , from a ...
第 3 頁
... Folio , he reappears in the last scene speaking most of the lines given in QI to Philostrate , the Master of the Revels , thus joining the lovers in the festivities . With QI excluding , but the Folio reintroducing , Egeus in the comic ...
... Folio , he reappears in the last scene speaking most of the lines given in QI to Philostrate , the Master of the Revels , thus joining the lovers in the festivities . With QI excluding , but the Folio reintroducing , Egeus in the comic ...
第 8 頁
... Folio editions of Othello can be distinguished in their treatment of race , then an edition that presents these versions of Othello as a unified work may conceal something essential about the changes the play underwent in Shakespeare's ...
... Folio editions of Othello can be distinguished in their treatment of race , then an edition that presents these versions of Othello as a unified work may conceal something essential about the changes the play underwent in Shakespeare's ...
內容
The two texts of Othello and early modern constructions of race | 21 |
Work of permanent utility editors and texts authorities and originals | 37 |
Housmania episodes in twentiethcentury critical editing of Shakespeare | 49 |
Addressing adaptation Measure for Measure and Sir Thomas More | 63 |
The New Bibliography and its critics | 77 |
Scholarly editing and the shift from print to electronic cultures | 94 |
Your sum of farts doubling in Hamlet | 111 |
The perception of error the editing and the performance of the opening of Coriolanus | 127 |
Modern spelling the hard choices | 143 |
The staging of Shakespeares drama in print editions | 158 |
Open stage open page? Editing stage directions in early dramatic texts | 178 |
Two varieties of digital commentary | 194 |
New collaborations with old plays the textual politics of performance commentary | 210 |
224 | |
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常見字詞
A. E. Housman actors annotation Arden3 argue Bevington Bibliography Calchas Cambridge University Press choice Clarendon Press commentary Coriolanus document doubling early modern editorial practice editors electronic medium Elizabethan emendation English essays evidence example exit F-only facsimile Folio text Folio version foul papers Gary Taylor Greg's Hamlet Henry Henry VI Honigmann Ibid imagine instance interpretation John Jowett King Lear kiss lines London Love's Labour's Lost Malone Society manuscript McKerrow means Menenius Michael Warren Middleton modern editions modern spelling notes options original Othello Oxford Shakespeare passages performance play play-texts Player possible present printed texts printer's copy printers problem promptbooks readers reading revision Richard role Romeo and Juliet Sanders scene scholars script Second Citizen second quarto Shakespeare Quarterly Shakespeare's drama Sir Thomas speech prefixes stage directions suggests Textual Criticism theatre theatrical thou Troilus and Cressida two-text users variants Variorum W. W. Greg William word Woudhuysen