Auditory Scene Analysis: The Perceptual Organization of SoundMIT Press, 1994年9月29日 - 790 頁 Auditory Scene Analysis addresses the problem of hearing complex auditory environments, using a series of creative analogies to describe the process required of the human auditory system as it analyzes mixtures of sounds to recover descriptions of individual sounds. In a unified and comprehensive way, Bregman establishes a theoretical framework that integrates his findings with an unusually wide range of previous research in psychoacoustics, speech perception, music theory and composition, and computer modeling. |
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acoustic alternation amplitude amplitude modulation attention auditory scene analysis auditory stream auditory system basilar membrane Bregman capture changes chapter coherent complex tone continuity illusion created critical band cues cycle different frequency dimensions dissonance earlier effect evidence example experiment explanation fact factors frequency components frequency proximity frequency region frequency separation fundamental frequency fuse fusion Gestalt glide global pitch harmonic relations harmonic series hear heard inharmonic instruments intensity listeners loud louder masker masking melody missing fundamental mixture modulation motion msec neural noise burst Noorden notes occur octave onset organization pair partials pattern perceived perceptual grouping played present primitive properties psychoacoustic pure tone quency repetition rhythm scene analysis schemas semitones separate streams sequence of tones sequential grouping signal similar simultaneous single sound spectral spectrogram spectrum speech stimulus stream segregation subset synchronous target temporal theory timbre tion trajectory visual voice vowel