Auditory Scene Analysis: The Perceptual Organization of SoundMIT Press, 1994年9月29日 - 790 頁 Auditory Scene Analysis addresses the problem of hearing complex auditory environments, using a series of creative analogies to describe the process required of the human auditory system as it analyzes mixtures of sounds to recover descriptions of individual sounds. In a unified and comprehensive way, Bregman establishes a theoretical framework that integrates his findings with an unusually wide range of previous research in psychoacoustics, speech perception, music theory and composition, and computer modeling. |
搜尋書籍內容
第 1 到 5 筆結果,共 81 筆
第 i 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 viii 頁
... 529 532 Role of Harmonic Relations and FO 559 Common - Fate Cues 572 Correlated Frequency Changes 573 Correlated Amplitude Changes 584 Spatial Location Cues 590 Chapter 7 The Principle of Exclusive Allocation in Scene Analysis viii ...
... 529 532 Role of Harmonic Relations and FO 559 Common - Fate Cues 572 Correlated Frequency Changes 573 Correlated Amplitude Changes 584 Spatial Location Cues 590 Chapter 7 The Principle of Exclusive Allocation in Scene Analysis viii ...
第 ix 頁
The Perceptual Organization of Sound Albert S. Bregman. Chapter 7 The Principle of Exclusive Allocation in Scene Analysis When Is Exclusive Allocation Violated ? Explanations of Violations of Exclusive Allocation 595 607 618 Chapter 8 ...
The Perceptual Organization of Sound Albert S. Bregman. Chapter 7 The Principle of Exclusive Allocation in Scene Analysis When Is Exclusive Allocation Violated ? Explanations of Violations of Exclusive Allocation 595 607 618 Chapter 8 ...
第 1 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 3 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
其他版本 - 查看全部
常見字詞
acoustic alternation amplitude amplitude modulation attention auditory scene analysis auditory stream auditory system basilar membrane Bregman capture changes chapter coherent complex tone continuity illusion created critical band cues cycle different frequency dimensions dissonance earlier effect evidence example experiment explanation fact factors frequency components frequency proximity frequency region frequency separation fundamental frequency fuse fusion Gestalt glide global pitch harmonic relations harmonic series hear heard inharmonic instruments intensity listeners loud louder masker masking melody missing fundamental mixture modulation motion msec neural noise burst Noorden notes occur octave onset organization pair partials pattern perceived perceptual grouping played present primitive properties psychoacoustic pure tone quency repetition rhythm scene analysis schemas semitones separate streams sequence of tones sequential grouping signal similar simultaneous single sound spectral spectrogram spectrum speech stimulus stream segregation subset synchronous target temporal theory timbre tion trajectory visual voice vowel