The Cambridge History of Literary Criticism: Volume 3, The RenaissanceGeorge Alexander Kennedy, Glyn P. Norton Cambridge University Press, 1989 - 782 頁 This 1999 volume was the first to explore as part of an unbroken continuum the critical legacy both of the humanist rediscovery of ancient learning and of its neoclassical reformulation. Focused on what is arguably the most complex phase in the transmission of the Western literary-critical heritage, the book encompasses those issues that helped shape the way European writers thought about literature from the late Middle Ages to the late seventeenth century. These issues touched almost every facet of Western intellectual endeavour, as well as the historical, cultural, social, scientific, and technological contexts in which that activity evolved. From the interpretative reassessment of the major ancient poetic texts, this volume addresses the emergence of the literary critic in Europe by exploring poetics, prose fiction, contexts of criticism, neoclassicism, and national developments. Sixty-one chapters by internationally respected scholars are supported by an introduction, detailed bibliographies for further investigation and a full index. |
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第 1 到 5 筆結果,共 82 筆
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內容
Theories of language | 25 |
Renaissance exegesis | 36 |
Evangelism and Erasmus | 44 |
The assimilation of Aristotles Poetics in sixteenthcentury | 53 |
commentators into critics | 66 |
Cicero and Quintilian | 77 |
POETICS | 86 |
Latin writers | 98 |
TudorStuart London | 339 |
Lyons and Paris | 348 |
Culture imperialism and humanist criticism in the Italian | 355 |
Germanspeaking centres and institutions | 364 |
Courts and patronage | 371 |
literary salons in seventeenthcentury | 378 |
Renaissance printing and the book trade | 384 |
The Ciceronian controversy | 395 |
writers | 107 |
Petrarchan poetics | 119 |
from Italy | 127 |
Invention | 136 |
Rhetorical poetics | 145 |
Second rhetoric and the grands rhétoriqueurs | 155 |
art literature and illusion | 161 |
ut pictura poesis | 168 |
Conceptions of style | 176 |
Sir Philip Sidneys An apology for poetry | 187 |
the conception | 199 |
Literary forms | 205 |
The lyric | 216 |
Renaissance theatre and the theory of tragedy | 229 |
Elizabethan theatrical genres and literary theory | 248 |
moral sense | 259 |
Dialogue and discussion in the Renaissance | 265 |
The essay as criticism | 271 |
The genres of epigram and emblem | 278 |
Humour and satire in the Renaissance | 284 |
15581700 | 295 |
Theories of prose fiction in sixteenthcentury France | 305 |
novella | 322 |
Vives and Ramus | 402 |
The rise of the vernaculars | 409 |
France | 417 |
Women as auctores in early modern Europe | 426 |
Renaissance Neoplatonism | 435 |
Cosmography and poetics | 442 |
Natural philosophy and the new science | 449 |
philosophical revival | 458 |
Calvinism and postTridentine developments | 466 |
PortRoyal and Jansenism | 475 |
Jonson Milton and classical literary | 487 |
The rhetorical ideal in France | 500 |
Cartesian aesthetics | 511 |
probability decorum taste | 522 |
Longinus and the Sublime | 529 |
classical | 543 |
French criticism in the seventeenth century | 555 |
Literarycritical developments in sixteenth | 566 |
The Germanspeaking countries | 591 |
The Low Countries | 600 |
607 | |
669 | |
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