Lord Byron, 第 78 卷Twayne Publishers, 1969 - 177 頁 A study of the work and enigmatic personality of the man whose mode of life made him the archetype of Romantic poets. |
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第 1 到 3 筆結果,共 9 筆
第 35 頁
... Classical principles . The very essence of the time was change , not conformity ; experimentation , not authority ; emotion , not reason . Revolution on the Continent , an armed world , empires made and unmade , the ancien régime ...
... Classical principles . The very essence of the time was change , not conformity ; experimentation , not authority ; emotion , not reason . Revolution on the Continent , an armed world , empires made and unmade , the ancien régime ...
第 39 頁
... Classical treasures grew apace and led him to express it vehemently in the prologue of Canto II of Childe Harold . Byron's angry protest against Lord Elgin's " rape " of Greek treasures had far - reaching and influential effects . As ...
... Classical treasures grew apace and led him to express it vehemently in the prologue of Canto II of Childe Harold . Byron's angry protest against Lord Elgin's " rape " of Greek treasures had far - reaching and influential effects . As ...
第 104 頁
... Classical principle . By the end of 1821 he had written three such dramas . Byron's interest in the drama , both Classical and Shakespearian , had begun very early , but with a steadily growing preference for the Classical . During ...
... Classical principle . By the end of 1821 he had written three such dramas . Byron's interest in the drama , both Classical and Shakespearian , had begun very early , but with a steadily growing preference for the Classical . During ...
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achieved Annabella Milbanke Athens attack Augusta beautiful began beginning Beppo Boyd Cain called Calvert Canto Childe Harold Classical continued Count critical death digression Don Juan drama early Eastern effect efforts England English epic especially experience express fact feelings finally followed freedom friends Gamba George Greece Greek Harrow hero Hobhouse human interest Italian Italy January John Joseph July Lady Lady Byron later leave letters liberal literary living London Lord Byron major Manfred March Marchand Mary mind Miss Missolonghi mood Moore moral Murray narrative Nature never Newstead noted passion poem poet poetic poetry political present published realism regarded romantic Rutherford satire sense separation serious Shelley social society soon spirit story style summer taking Teresa theme thought tion travels turned Venice verse Vision visited wife writing wrote young youth