Romantic Generations: Essays in Honor of Robert F. Gleckner

封面
Bucknell University Press, 2001 - 301页
These essays express a common belief that the study of Romantic literature must be at once professionally serious and personally engaging. Topics discussed range from Wordsworth to Lady Caroline Lamb, and from Blake and Burke to the contemporary Irish poet Paul Muldoon. Each essay also offers close readings of essential works on English and Irish Romanticism. Introducing the collection is a tribute by the celebrated Romanticist Peter Manning.

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目录

Preface
7
Introduction
13
Blakes Pope
23
Edmund Burke Public Eye
43
The Disintegration of the Social Body in Blake and Mary Shelley
64
Blake America and the World
83
Wordsworth Milton and the Christian Hebraic Roots of English Republicanism
102
Wordsworth Keats Carlyle and Professional Ambitions
129
Byron Wordsworth Castlereagh and Tyrannical Assimilation
178
Wordsworth and the Limits of Native Authority
203
Topographical Poetry and the Politics of Culture in Ireland 17721820
221
Identity Ideology and the Ghosts of the Romantic Subject in the Poetry of Yeats and Muldoon
245
Bibliography of Works by Robert F Gleckner
281
Notes on Contributors
295
Index
297
版权

Lady Caroline Lambs Glenarvon and the Revolutionary Voice
155

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第28页 - Soft is the strain when Zephyr gently blows, And the smooth Stream in smoother Numbers flows; But when loud Surges lash the sounding Shore, The hoarse, rough Verse shou'd like the Torrent roar. When Ajax strives, some Rock's vast Weight to throw, The line too labours, and the Words move slow. Pope
第99页 - war against human nature itself, violating it's most sacred rights of life & liberty in the persons of a distant people who never offended him, captivating & carrying them into slavery in another hemisphere, or to incur miserable death in their transportation thither, this piratical warfare, the opprobrium of infidel powers, is the
第32页 - to Book 3 of Paradise Lost Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev'n or Morn, Or sight of vernal bloom, or Summer's Rose, Or flocks, or herds, or human face divine; But cloud instead, and ever-during dark.
第116页 - in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes. Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! 1
第206页 - [the Poet is] a man speaking to men: a man, it is true, endued with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind
第135页 - It is the generous spirit, who, when brought Among the tasks of real life, hath wrought Upon the plan that pleased his childish thought: Whose high endeavours are an inward light That make the path before him always bright
第109页 - statute, took at once The attraction of a Country in Romance; When Reason seemed the most to assert her rights When most intent on making of herself A prime Enchanter to assist the work, Which then was going forwards in her name. Not favored spots alone, but the whole earth, The beauty wore of promise, that which sets
第245页 - A starlit or a moonlit dome disdains All that man is, All mere complexities, The fury and the mire of human veins. Before me floats an image, man or shade, Shade more than man, more image than a shade; For Hades' bobbin bound in mummy-cloth May unwind the winding path;
第110页 - O execrable son so to aspire Above his brethren, to himself assuming Authority usurped, from God not giv'n: He gave us only over beast, fish, fowl Dominion absolute; that right we hold By his donation; but man over men He made not lord, such title to himself Reserving, human left from human free.
第28页 - Essay on Criticism: The Sound must seem an Eccho to the Sense. Soft is the strain when Zephyr gently blows, And the smooth Stream in smoother Numbers flows; But when loud Surges lash the sounding Shore, The hoarse, rough Verse shou'd like the Torrent roar. When Ajax strives, some Rock's vast Weight to throw, The line too labours, and the Words move slow.

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