From one eternal fountain beauty springs, Some urge, that poets of supreme renown Others have urg'd (but weigh it and you'll find ''Tis light as feathers blown before the wind) That poverty, the curse of Providence, Atones for a dull writer's want of sense : Alas! his dulness 'twas tbat made him poor, Not vice versa: we infer no more. Of vice and folly poverty's the curse, Heaven may be rigid, but the man was worse ; By good made bad, by favours more disgrac'd, So dire the effects of ignorance misplac'd ! Of idle youth, unwatch'd by parents' eyes! Of zeal for pence, and dedication-lies! a Of conscience modell’d by a great man's looks ! No light the darkness of that mind invades, [fly; From streets to streets the' unnumber'd pamphlets 'Then tremble Warner, Brown, and Billingsly.* O thou most gentle deity appear, Thou who still hears't, and yet art prone to hear : Whose eye ne'er closes, and whose brains ne'er rest, (Thy own dear Dulness bawling at shy breast) Attend, O Patience, on thy arm reclin’d, And see wit's endless enemies behind! And ye, our Muses, with a hundred tongues, And thou, O Henley; bless'd with brazen lungs ; Fanatic Withers! fam'd for rhymes and sighs, And Jacob Behmen! most obscurely wise ; From darkness palpable, on dusky wings Ascend ! and shroud him who your offspring sings, The first, with Egypt's darkness on his head, Thinks wit the devil, and curses books unread. For twice ten winters has he blunderd on Through heavy comments, yet ne'er lost nor won : Much may be done in twenty winters more, And let him then learn English at threescore. Three booksellers. a No sacred Maro glitters on his shelf, Yet worse is he, who, in one language read, What artful hand the wretch's form can hit, Next see the masterpiece of flattery rise, • Coimbria's comments. Colleg. Coimbricense, a society in Spain, which published tedious explanations of Aristotle. + Sonsinas, a schoolman, Sa (Eman. de.) See Paschal's Mystery of Jesuitism. Probably Mrs. Manly was here intended. Persuasive, though a woful blockhead he : But most the theatres with dulness groan, Yet these love verse, as croakingt comforts frogs, And mire and ordure are the heaven of hogs. As well might nothing bind immensity, Or passive matter immaterials see, * Et chaque acte en sa piece est une piece entiere. Boil. + When a poor genius has laboured much, he judges well not to expect the encomiums of the public : for these are not his due. Yet, for fear his drudgery should have no recompense, God (of his goodness) has given him a personal satisfaction. Thus the same deity (who is equally just in all points) has given frogs the comfort of croaking, &c. Le Pere Gerasse Sommes Theol, L. 2. Vol. XXIX, нь a As these should write by reason, rhyme, and rule, Some write for glory, but the phantom fades; See next a crowd in damasks, silks and crapes, Equivocal in dress, half belles, half trapes: A length of night-gown rich Phantasia trails, Olinda wears one shift, and pares no nails : Some in C-l's cabinet each act display, When nature in a transport dies away ; Some, more refin'd, transcribe their opera-loves On ivory tablets, or in clean white gloves ; Some of Platonic, some of carnal taste, Hoop’d, or unhoop’d, ungarter'd, or unlac'd. Thus thick in air the wing'd creation play, When vernal Phæbus rolls the light away, A motley race, half insects and half fowls, Loose-tail'd and dirty, May-flies, bats, and owls. Gods, that this native nonsense was our worst ! With crimes more deep, 0 Albion! art thou cursd. No judgınent open profanation fears, For who dreads God, that can preserve his ears? Oh save me, Providence! from vice refin'd, That worst of ills, a speculative mind !* * Plato calls this an ignorance of a dark and dangerous nature, under appearance of the greatest wisdom. |