Schenker Studies 2Cambridge University Press, 1999年4月22日 - 319 頁 The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a helpful introduction to his work for music theorists. The emphasis of the volume is on Schenkerian analysis of musical works, these being discussed within the framework of larger theoretical issues. Historical issues concerning Schenker are also addressed in studies that take their cue from his own interests or from influences on his thought, and in essays that extend his theories and apply them to the discipline of music history. Perspectives on past and present Schenker studies in Great Britain and America are offered, supplemented by a bibliography of recent British writings related to Schenker. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at Mannes College of Music, New York in 1985. |
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內容
a preliminary report | 12 |
Schenkers unpublished work with the music of Johannes Brahms | 26 |
P E Bach and the fine art of transposition | 49 |
Comedy and structure in Haydns symphonies | 67 |
structural style in Mozarts symphonies | 82 |
Structural momentum and closure in Chopins Nocturne Op 9 No 2 | 109 |
Voice leading as drama in Wozzeck | 160 |
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5th-motive Alban Berg analysis antecedent antic appears articulation augmented sixth chord Bach's Baroque bars basic pace bass Beethoven beginning Berg Berg's Brahms Brahms's C. P. E. Bach cadence cadential Chopin chord chromatic coda counterpoint descending development section diachronic diachronic transformation dominant durational essay exposition Felix Salzer figure foreground Free Composition freie Satz fundamental G minor graph harmonic Haydn Heinrich Schenker humor inner voice Intermezzo Kontrapunkt major melodic middleground motion motive movement Mozart Music Theory Nocturne octave opening opera orchestral Oster Collection passage passing tone phrase rhythm piano piece Probestück prolongation Quartet reading recapitulation recomposed repetition rhythmic ritornello Salzer scale degree scene Schenkerian sequence sequential expansion seventh shown in Example Sibelius sketch Sonata Stimmführung style subdominant Symphony texture thematic theme tion tonal tonic top voice transposition upper voice Urlinie Ursatz variation violins voice exchange voice leading voice-leading Wozzeck