Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions, 第 2 卷R. Fenner, 1817 - 309 頁 |
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第 1 到 5 筆結果,共 25 筆
第 2 頁
... attention from the lethargy of cus- tom , and directing it to the loveliness and the wonders of the world before us ; an inexhausti- ble treasure , but for which in consequence of the film of familiarity and selfish solicitude we have eyes ...
... attention from the lethargy of cus- tom , and directing it to the loveliness and the wonders of the world before us ; an inexhausti- ble treasure , but for which in consequence of the film of familiarity and selfish solicitude we have eyes ...
第 8 頁
... attention to each part , which an exact correspondent recurrence of accent and sound are calculated to excite . The final de- finition then , so deduced , may be thus worded . A poem is that species of composition , which is opposed to ...
... attention to each part , which an exact correspondent recurrence of accent and sound are calculated to excite . The final de- finition then , so deduced , may be thus worded . A poem is that species of composition , which is opposed to ...
第 9 頁
... attention of the reader to itself disjoins it from its context , and makes it a separate whole , instead of an harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly the general ...
... attention of the reader to itself disjoins it from its context , and makes it a separate whole , instead of an harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly the general ...
第 11 頁
... attention , than the language of prose aims at , whether col- loquial or written . My own conclusions on the nature of poetry , in the strictest use of the word , have been in part anticipated in the preceding disquisition on the fancy ...
... attention , than the language of prose aims at , whether col- loquial or written . My own conclusions on the nature of poetry , in the strictest use of the word , have been in part anticipated in the preceding disquisition on the fancy ...
第 16 頁
... attention required on the part of the reader ; from the rapid flow , the quick change , and the playful nature of the thoughts and images ; and above all from the alienation , and , if I may hazard such an expression , the utter ...
... attention required on the part of the reader ; from the rapid flow , the quick change , and the playful nature of the thoughts and images ; and above all from the alienation , and , if I may hazard such an expression , the utter ...
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熱門章節
第 12 頁 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
第 67 頁 - But nature makes that mean: so, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A...
第 52 頁 - Accordingly, such a language, arising out of repeated experience and regular feelings, is a more permanent, and a far more philosophical language, than that which is frequently substituted for it by Poets...
第 38 頁 - Humble and rustic life was generally chosen, because, in that condition, the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings co-exist in a state of greater simplicity, and, consequently, may be more accurately contemplated, and more forcibly communicated; because the manners of rural life germinate from those elementary feelings,...
第 2 頁 - In the one, the incidents and agents were to be, in part at least, supernatural; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions as would naturally accompany such situations, supposing them real.
第 18 頁 - It has been before observed that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion...
第 139 頁 - While he was talking thus, the lonely place, The old Man's shape, and speech, all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
第 174 頁 - And not in utter nakedness, But trailing clouds of glory do we come From God who is our home: Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing boy ; But he beholds the light, and whence it flows, He sees it in his joy ! The youth who daily further from the east Must travel, still is nature's priest, And by the vision splendid Is on his way attended ; At length the man perceives it die away, And fade into the light of common day.
第 20 頁 - ... with him: Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew : Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose ; They were but sweet, but figures of delight, Drawn after you ; you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play : XCIX.
第 64 頁 - And it would be a most easy task to prove to him, that not only the language of a large portion of every good poem, even of the most elevated character, must necessarily, except with reference to the metre, in no respect differ from that of good prose, but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose when prose is well written.