 | 1834 - 614 頁
...the last three years of our school education,) he shewed no mercy to phrase, metaphor, or imagery, unsupported by a sound sense, or where the same sense...muses. and inspirations. — Pegasus, Parnassus, and Hippocrene were all an abomination to him. In fancy, I can almost hear him now exclaiming, — " Harp... | |
 | John Iliff Wilson - 1821 - 348 頁
...causes. In our English compositions (at least for the last three years of our school education) he shewed no mercy to phrase, metaphor, or image, unsupported...muses, and inspirations, — Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now exclaiming, — Harp... | |
 | 1822 - 666 頁
...fugitive causes. In our English compositions, for the last three years of our school education, he shewed no mercy to phrase, metaphor, or image, unsupported...dignity in plainer words. Lute, harp, and lyre, muse and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him." — " There... | |
 | 1820 - 474 頁
...our own English compositions (at least for the last three years of our school education) he shewed no mercy to phrase, metaphor, or image, unsupported...been conveyed with equal force and dignity in plainer 172 THF, EARLY LIFK OK A POUT. words. Lute, harp, and lyre, muse, muses, and inspirations, Pegasus,... | |
 | Samuel Taylor Coleridge - 1829 - 575 頁
...for the last three years of our school education) be showed no mercy to phrase, image, or metaphor, unsupported by a sound sense, or where the same sense...and lyre, muse, muses, and inspirations — Pegasus, I'uruassus and Hippocrene, were all an abomination to him. In fancy, 1 can almost bear him now exclaiming—... | |
 | 1822 - 666 頁
...fugitive causes. In our English compositions, for the last three years of our school education, he shewed no mercy to phrase, metaphor, or image, unsupported...dignity in plainer words. Lute, harp, and lyre, muse and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him." — " There... | |
 | Samuel Taylor Coleridge - 1831 - 628 頁
...complex, and dependent on more and more fugitive causes. In our English compositions (at least for Grigg image, or metaphor, unsupported by a sound sense, or where the same sense might have been conveyed... | |
 | Samuel Taylor Coleridge - 1834 - 360 頁
...the peculiar fitness of the word in the original text. In our own English compositions, (at least for the last three years of our school education,) he...Parnassus, and Hipocrene, were all an abomination tojiim. In fancy, I can almost hear him now, exclaiming, " Harp ? Harp 1 Lyre 1 Pen and ink, boy, you... | |
 | William Trollope - 1834 - 538 頁
...complex, and dependant upon more and more fugitive causes. In our English compositions (at least for the last three years of our school education) he showed...dignity in plainer words. Lute, harp, and lyre, muse, * See the list of Grecians at the end of the biographical chapter. T muses and inspirations, — Pegasus,... | |
 | 1834 - 734 頁
...years of our school education) he showed 12 no mercy to phrase, metaphor, or image, unsupported by sound sense, or where the same sense might have been...muse, muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy, I can almost bear him DOW exclaiming — " J/arp>... | |
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In our own English compositions, (at least for the last three years of our school education), he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity... 
