The Cambridge Companion to Twentieth-Century English PoetryNeil Corcoran Cambridge University Press, 2007年12月13日 The last century was characterised by an extraordinary flowering of the art of poetry in Britain. These specially commissioned essays by some of the most highly regarded poetry critics offer a stimulating and reliable overview of English poetry of the twentieth century. The opening section on contexts will both orientate readers relatively new to the field and provide provocative syntheses for those already familiar with it. Following the terms introduced by this section, individual chapters cover many ways of looking at the 'modern', the 'modernist' and the 'postmodern'. The core of the volume is made up of extensive discussions of individual poets, from W. B. Yeats and W. H. Auden to contemporary poets such as Simon Armitage and Carol Ann Duffy. In its coverage of the development, themes and contexts of modern poetry, this Companion is the most useful guide available for students, lecturers and readers. |
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第 1 到 5 筆結果,共 72 筆
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... modern',the'modernist' and the 'postmodern'. The coreof the volume is made upof extensive discussions ofindividual poets, from W. B. Yeats and W.H.Auden to contemporary poets such as Simon Armitageand Carol Ann Duffy. In its coverage of ...
... modern',the'modernist' and the 'postmodern'. The coreof the volume is made upof extensive discussions ofindividual poets, from W. B. Yeats and W.H.Auden to contemporary poets such as Simon Armitageand Carol Ann Duffy. In its coverage of ...
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... , Dylan Thomas, W. S. Graham Edward Larrissy Part Four Later modernities 10 Philip Larkin:a late modernpoet Stephen Regan 11 R. S. Thomas and modern Welsh poetry M. Wynn Thomas 12 Gender, feminism, poetry: Stevie Smith, Sylvia.
... , Dylan Thomas, W. S. Graham Edward Larrissy Part Four Later modernities 10 Philip Larkin:a late modernpoet Stephen Regan 11 R. S. Thomas and modern Welsh poetry M. Wynn Thomas 12 Gender, feminism, poetry: Stevie Smith, Sylvia.
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... modern form; and the enduring challenge of W. H. Auden's responsetohim, particularly in his elegy'InMemory of W. B.Yeats',published in 1939, whichiscited and discussed several times. The impactof the poetryof Northern Ireland since the ...
... modern form; and the enduring challenge of W. H. Auden's responsetohim, particularly in his elegy'InMemory of W. B.Yeats',published in 1939, whichiscited and discussed several times. The impactof the poetryof Northern Ireland since the ...
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... modern in poets who reject – or just ignore – the radicalism of modernist forms. Insome poets of theperiod – Yeats, for instance, Hardy, Edward Thomas and Charlotte Mew– traditional form may be so originally wrought as to become ...
... modern in poets who reject – or just ignore – the radicalism of modernist forms. Insome poets of theperiod – Yeats, for instance, Hardy, Edward Thomas and Charlotte Mew– traditional form may be so originally wrought as to become ...
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... modern', 'Modernist' or 'postmodern', characteristically appear to speak against themselves,toengage in sometimes fraught dialogues of the selfwiththe self, orofthe poemwith its own origins, traditions and generic characteristics. Poems ...
... modern', 'Modernist' or 'postmodern', characteristically appear to speak against themselves,toengage in sometimes fraught dialogues of the selfwiththe self, orofthe poemwith its own origins, traditions and generic characteristics. Poems ...
內容
Modernistpoetic form | |
Postmodern poetry inBritain | |
Wilfred Owen and the poetry of | |
Part Three Modernists 7 The 1930s poetry of W H Auden Michael ONeill | |
a late modernpoet | |
R S Thomas and modern Welsh poetry | |
Stevie Smith Sylvia Plath | |
TedHughes and Geoffrey Hill | |
Black British poetry and thetranslocal | |
Tony Harrison Peter Reading | |
Edwin Morgan Douglas | |
James Fenton Craig Raine | |
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