The Cambridge Companion to Twentieth-Century English PoetryNeil Corcoran Cambridge University Press, 2007年12月13日 The last century was characterised by an extraordinary flowering of the art of poetry in Britain. These specially commissioned essays by some of the most highly regarded poetry critics offer a stimulating and reliable overview of English poetry of the twentieth century. The opening section on contexts will both orientate readers relatively new to the field and provide provocative syntheses for those already familiar with it. Following the terms introduced by this section, individual chapters cover many ways of looking at the 'modern', the 'modernist' and the 'postmodern'. The core of the volume is made up of extensive discussions of individual poets, from W. B. Yeats and W. H. Auden to contemporary poets such as Simon Armitage and Carol Ann Duffy. In its coverage of the development, themes and contexts of modern poetry, this Companion is the most useful guide available for students, lecturers and readers. |
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第 1 到 5 筆結果,共 16 筆
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... Yeats',published in 1939, whichiscited and discussed several times. The impactof the poetryof Northern Ireland since the ... Yeats's influence, crucial to an understanding ofthe poetry of this period, andthe impact ofhis poetry, his ...
... Yeats',published in 1939, whichiscited and discussed several times. The impactof the poetryof Northern Ireland since the ... Yeats's influence, crucial to an understanding ofthe poetry of this period, andthe impact ofhis poetry, his ...
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... Yeats survived till 1939. At the time ofthe meeting, Yeatshad published'The Two Titans' ('astrainedand unworkable allegory', opined Hopkins, though not to Yeats's face) and the verseplay Mosada; Hopkins was known to be a sensitive ...
... Yeats survived till 1939. At the time ofthe meeting, Yeatshad published'The Two Titans' ('astrainedand unworkable allegory', opined Hopkins, though not to Yeats's face) and the verseplay Mosada; Hopkins was known to be a sensitive ...
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... the patterns were sometimes surprising and apparently controlled, or at least permitted,by Yeats himself. Take, for instance, these facts assembled byGeorge Bornstein: The importance of Poems (1895) and its successors to Yeats's.
... the patterns were sometimes surprising and apparently controlled, or at least permitted,by Yeats himself. Take, for instance, these facts assembled byGeorge Bornstein: The importance of Poems (1895) and its successors to Yeats's.
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Neil Corcoran. The importance of Poems (1895) and its successors to Yeats's public image cannot be overstated. This was the volume by which Yeats was best knowntoreaders for nearly four decades, untilthe publicationof Collected Poems ...
Neil Corcoran. The importance of Poems (1895) and its successors to Yeats's public image cannot be overstated. This was the volume by which Yeats was best knowntoreaders for nearly four decades, untilthe publicationof Collected Poems ...
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... Yeats and usually carried enduring consequences. As George Bornstein puts it, in examining one notable instance: 'The arrangement of the early lyrics in Poems established a paradigm still present even in posthumous arrangementsof Yeats's ...
... Yeats and usually carried enduring consequences. As George Bornstein puts it, in examining one notable instance: 'The arrangement of the early lyrics in Poems established a paradigm still present even in posthumous arrangementsof Yeats's ...
內容
Modernistpoetic form | |
Postmodern poetry inBritain | |
Wilfred Owen and the poetry of | |
Part Three Modernists 7 The 1930s poetry of W H Auden Michael ONeill | |
a late modernpoet | |
R S Thomas and modern Welsh poetry | |
Stevie Smith Sylvia Plath | |
TedHughes and Geoffrey Hill | |
Black British poetry and thetranslocal | |
Tony Harrison Peter Reading | |
Edwin Morgan Douglas | |
James Fenton Craig Raine | |
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