The Cambridge Companion to Twentieth-Century English PoetryNeil Corcoran Cambridge University Press, 2007年12月13日 The last century was characterised by an extraordinary flowering of the art of poetry in Britain. These specially commissioned essays by some of the most highly regarded poetry critics offer a stimulating and reliable overview of English poetry of the twentieth century. The opening section on contexts will both orientate readers relatively new to the field and provide provocative syntheses for those already familiar with it. Following the terms introduced by this section, individual chapters cover many ways of looking at the 'modern', the 'modernist' and the 'postmodern'. The core of the volume is made up of extensive discussions of individual poets, from W. B. Yeats and W. H. Auden to contemporary poets such as Simon Armitage and Carol Ann Duffy. In its coverage of the development, themes and contexts of modern poetry, this Companion is the most useful guide available for students, lecturers and readers. |
搜尋書籍內容
第 1 到 5 筆結果,共 33 筆
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... Robert Graves, The White Goddess: A historical grammar of poetic myth Ezra Pound, ThePisanCantos Founding of the NHS The Empire Windrush lands 492 Jamaicans at Tilbury,carrying thefirst large group ofWest Indian immigrants to the UK ...
... Robert Graves, The White Goddess: A historical grammar of poetic myth Ezra Pound, ThePisanCantos Founding of the NHS The Empire Windrush lands 492 Jamaicans at Tilbury,carrying thefirst large group ofWest Indian immigrants to the UK ...
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... Robert Bridges,who published sixteen of his poems between 1889 and the appearance ofhis ownedition of the Poems in 1918 (a second, enlarged edition by Charles Williams appeared in 1930). Publication didnot mean immediate acceptance ...
... Robert Bridges,who published sixteen of his poems between 1889 and the appearance ofhis ownedition of the Poems in 1918 (a second, enlarged edition by Charles Williams appeared in 1930). Publication didnot mean immediate acceptance ...
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... Robert Graves and W.H. Auden, most of whom were practising poets as well as critics. Auden, in particular, identified Hopkinsas astrong but dangerous influence; he once claimed that'Hopkins ought to be kept on a special shelf like a ...
... Robert Graves and W.H. Auden, most of whom were practising poets as well as critics. Auden, in particular, identified Hopkinsas astrong but dangerous influence; he once claimed that'Hopkins ought to be kept on a special shelf like a ...
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... Robert Graves, who graduated from the Georgian Anthology andthe educating realities of war to atheory of poetry whichwas concentrated on the brief and the lyrical, assumptions about the structure of narrative and the organizationof ...
... Robert Graves, who graduated from the Georgian Anthology andthe educating realities of war to atheory of poetry whichwas concentrated on the brief and the lyrical, assumptions about the structure of narrative and the organizationof ...
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... Robert Bridges, ed. Claude ColleerAbbott, 2nd(revised) impression(London, New York and Toronto: Oxford University Press, 1935), pp. 154–5. 4. Patricia M. Ball, The Science of Aspects: The Changing Role of Fact inthe WorkofColeridge ...
... Robert Bridges, ed. Claude ColleerAbbott, 2nd(revised) impression(London, New York and Toronto: Oxford University Press, 1935), pp. 154–5. 4. Patricia M. Ball, The Science of Aspects: The Changing Role of Fact inthe WorkofColeridge ...
內容
Modernistpoetic form | |
Postmodern poetry inBritain | |
Wilfred Owen and the poetry of | |
Part Three Modernists 7 The 1930s poetry of W H Auden Michael ONeill | |
a late modernpoet | |
R S Thomas and modern Welsh poetry | |
Stevie Smith Sylvia Plath | |
TedHughes and Geoffrey Hill | |
Black British poetry and thetranslocal | |
Tony Harrison Peter Reading | |
Edwin Morgan Douglas | |
James Fenton Craig Raine | |
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