The Cambridge Companion to Twentieth-Century English PoetryNeil Corcoran Cambridge University Press, 2007年12月13日 The last century was characterised by an extraordinary flowering of the art of poetry in Britain. These specially commissioned essays by some of the most highly regarded poetry critics offer a stimulating and reliable overview of English poetry of the twentieth century. The opening section on contexts will both orientate readers relatively new to the field and provide provocative syntheses for those already familiar with it. Following the terms introduced by this section, individual chapters cover many ways of looking at the 'modern', the 'modernist' and the 'postmodern'. The core of the volume is made up of extensive discussions of individual poets, from W. B. Yeats and W. H. Auden to contemporary poets such as Simon Armitage and Carol Ann Duffy. In its coverage of the development, themes and contexts of modern poetry, this Companion is the most useful guide available for students, lecturers and readers. |
搜尋書籍內容
第 1 到 5 筆結果,共 16 筆
第 頁
... final feature of inquiry which I will mention here is the one undertaken into what may and may not be allowed to constitutethe 'postmodern' inpoetry. The essay onthe term inthe'Contexts' section ofthis bookholds it sceptically,or ...
... final feature of inquiry which I will mention here is the one undertaken into what may and may not be allowed to constitutethe 'postmodern' inpoetry. The essay onthe term inthe'Contexts' section ofthis bookholds it sceptically,or ...
第 頁
... final chapter, largely because of his capacity to admit and enact the realities of struggle. As late as1936when Michael Roberts compiledthe influential Faber Book of Modern Verse, Hopkins was installed as founding father, represented by ...
... final chapter, largely because of his capacity to admit and enact the realities of struggle. As late as1936when Michael Roberts compiledthe influential Faber Book of Modern Verse, Hopkins was installed as founding father, represented by ...
第 頁
... final choice of one unparagraphed piece ofverse:in the last typescript version, Yeatshad divided the poeminto three distinct sections but now all divisions are omitted, with the effect of increasing the inevitability ofthesocial decline ...
... final choice of one unparagraphed piece ofverse:in the last typescript version, Yeatshad divided the poeminto three distinct sections but now all divisions are omitted, with the effect of increasing the inevitability ofthesocial decline ...
第 頁
... final poem, which dates from relatively latein Yeats's career, constituteshismost obvious debtto Browning andshows that, in his case asinthose of Pound andEliot, modern poetry owed aparticular debtto Browning's example inthe dramatic ...
... final poem, which dates from relatively latein Yeats's career, constituteshismost obvious debtto Browning andshows that, in his case asinthose of Pound andEliot, modern poetry owed aparticular debtto Browning's example inthe dramatic ...
第 頁
您已達到此書的檢閱上限.
您已達到此書的檢閱上限.
內容
Modernistpoetic form | |
Postmodern poetry inBritain | |
Wilfred Owen and the poetry of | |
Part Three Modernists 7 The 1930s poetry of W H Auden Michael ONeill | |
a late modernpoet | |
R S Thomas and modern Welsh poetry | |
Stevie Smith Sylvia Plath | |
TedHughes and Geoffrey Hill | |
Black British poetry and thetranslocal | |
Tony Harrison Peter Reading | |
Edwin Morgan Douglas | |
James Fenton Craig Raine | |
其他版本 - 查看全部
常見字詞
aesthetic andthe anthology atthe Bloodaxe Britain British Poetry bythe Cambridge century Collected Poems contemporary Criticism Crow cultural D. H. Lawrence death Douglas early edited editedby Edwin Morgan elegy Empson England English poetry Essays experience Ezra Pound Faber and Faber fromthe Hardy Hardy’s Harrison Heaney Hopkins Housman human Iago imagination inhis inthe inthis itis landscape language Lawrence Lawrence’s lines linguistic literary Literature London Martian metre modern Modernist narrative ofhis ofthe onthe Owen Owen’s Penguin Philip Larkin poem’s poet’s poetic poetryof poets political postmodern postwar prose R. S. Thomas readers reading rhyme rhythms Robert Scottish Sean O’Brien self selfconscious sense sequence Smith songs sonnet speaker stanza suggests Sylvia Plath T. S. Eliot Ted Hughes thatthe thepoem Thomas’s tothe traditional TwentiethCentury verse Victorian voice W. B. Yeats W. H. Auden Welsh Wilfred Owen withthe words writing Yeats’s