The Bucknell Review, 第 20 卷Bucknell University Press, 1954 |
搜尋書籍內容
第 1 到 3 筆結果,共 28 筆
第 15 頁
... perception . Art's reason for being is , in part at least , uncertainty about perception . The form works of art take are functions of private conviction about perception , however universally appealing those convictions may be ...
... perception . Art's reason for being is , in part at least , uncertainty about perception . The form works of art take are functions of private conviction about perception , however universally appealing those convictions may be ...
第 10 頁
... perception , that in the ' mode of causal eff- cacy ' and that in the ' mode of presentational immediacy . ' Involved in this is his endeavor to employ consistently ... perception s the only mode of perception . It is true 10 BUCKNELL REVIEW.
... perception , that in the ' mode of causal eff- cacy ' and that in the ' mode of presentational immediacy . ' Involved in this is his endeavor to employ consistently ... perception s the only mode of perception . It is true 10 BUCKNELL REVIEW.
第 42 頁
... perception as em- bodied consciousness is then neither representation nor idea . Rather , perception participates in or inhabits each reality it reaches . It intertwines the flesh of man and the flesh of the world . Each perception is ...
... perception as em- bodied consciousness is then neither representation nor idea . Rather , perception participates in or inhabits each reality it reaches . It intertwines the flesh of man and the flesh of the world . Each perception is ...
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