The Bucknell Review, 第 20 卷Bucknell University Press, 1954 |
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第 1 到 3 筆結果,共 49 筆
第 24 頁
... artist projects any sort of imagery onto a two - dimensional plane , either those based on the external world or ... artist . Despite a popular belief , artists are not any more adept at seeing than ordinary mortals . They have only been ...
... artist projects any sort of imagery onto a two - dimensional plane , either those based on the external world or ... artist . Despite a popular belief , artists are not any more adept at seeing than ordinary mortals . They have only been ...
第 72 頁
... artist's beliefs and desires and intentions ( even during his moments ) are not necessarily in his structure . In my view , all sculptures and paintings are artifacts , even if they were made before the concept of art and artist was ...
... artist's beliefs and desires and intentions ( even during his moments ) are not necessarily in his structure . In my view , all sculptures and paintings are artifacts , even if they were made before the concept of art and artist was ...
第 87 頁
... artist's consciousness , be in the ultimate constituents of early works of art , since the deepest feelings are probably atemporal and universal ; but articulated Freudian concepts and models could not be in the consciousness of any artist ...
... artist's consciousness , be in the ultimate constituents of early works of art , since the deepest feelings are probably atemporal and universal ; but articulated Freudian concepts and models could not be in the consciousness of any artist ...
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