The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, 第 4 卷
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Antonio Baptista Bass Bassanio Bian Bianca Bion Biondello bond Collier's folio comedy daughter Demetrius doth ducats Duke Enter Exeunt Exit eyes fair fairy father Folio and quartos fool gentle give Gratiano Gremio hath hear heart Helena Hermia Hippolyta honour Hortensio Jaques Jessica Kate Kath KATHARINA lady Laun Launcelot look lord Lorenzo Love's Labour's Lost lover Lucentio Lysander maid marry master means Merchant of Venice merry misprint mistress moon Nerissa never night Oberon original Orlando Padua passage Petruchio Philostrate play Portia pray printed Puck Pyramus quartos Quin Robin Goodfellow Rosalind SCENE second folio Shakespeare's Shakespeare's day shew Shylock Signior sleep speak Steevens swear sweet tell thee Theseus thing Titania Touch Tranio unto Venice Vincentio word
第308页 - With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste, sans every thing.
第26页 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
第226页 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we...
第227页 - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
第42页 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
第37页 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
第158页 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
第188页 - If a Jew wrong a Christian, what is his humility? revenge: if a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villany you teach me I will execute; and it shall go hard but I will better the instruction.