Cibber's Richard III: A Study of Its Leading English Performers

acting action actor adaptation admired Anne appeared attitudes audience battle became Buckingham called career character characterization Charles Cibber Cibber's Richard clear close command confidence conscience continued Cooke Cooke and Kemble Cooke's critic crown David Garrick death delivered delivery detail Edward effect emotional energy Examination example expression eyes face final force Garrick gave given gives grace hand Hazlitt on Theatre heart Henry Hunt immediate Inquisitor intellectual interest John Kean Kean's Kemble Kemble's King later LIBRARIES lines London look Lord Macready Macready's manner mind moment moments moral murder natural never noted opening original passion pause performance physical plans play political princes reading Remarks Reminiscences response role scene seemed sense Shakespeare soliloquy sometimes speech stage STANFORD style success suggested tells terror Theatre Theatrical Third thought throughout tone University villainy voice wrote York young