Life of Edwin Forrest, the American Tragedian, 第 2 卷J. B. Lippincott & Company, 1877 - 864 頁 |
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第 1 到 5 筆結果,共 61 筆
第 444 頁
... face , which is as nature moulded it , neither because he has but three notes to his voice , nor because the only inflections he is capable of are their exaltation and depression . But he need not aggravate the slight deformity of ...
... face , which is as nature moulded it , neither because he has but three notes to his voice , nor because the only inflections he is capable of are their exaltation and depression . But he need not aggravate the slight deformity of ...
第 451 頁
... face has no variety of expression . We know that , instead of using this fine element of success well , he has abused it ; for his mannerisms of tone are perpetual , and dis- figure every lengthy passage he reads . His voice has ...
... face has no variety of expression . We know that , instead of using this fine element of success well , he has abused it ; for his mannerisms of tone are perpetual , and dis- figure every lengthy passage he reads . His voice has ...
第 455 頁
... prominent " lines , or rather cordage , of his face , " and Quin for the " mechanic regularity and swollen pomp of his declamation . " George Steevens wrote a bitter satire , utterly unjust and unprovoked , on NEWSPAPER ESTIMATES . 455.
... prominent " lines , or rather cordage , of his face , " and Quin for the " mechanic regularity and swollen pomp of his declamation . " George Steevens wrote a bitter satire , utterly unjust and unprovoked , on NEWSPAPER ESTIMATES . 455.
第 463 頁
... face . The spirit shines and speaks in the flesh . And a learned eye looks quite through the seemings of men to their genuine . being and states . This is indeed the very business of the dramatic art , -to read the truths of human ...
... face . The spirit shines and speaks in the flesh . And a learned eye looks quite through the seemings of men to their genuine . being and states . This is indeed the very business of the dramatic art , -to read the truths of human ...
第 466 頁
... faces . This is the broadest and vulgarest language of unrefined vernacular man . The lower the style of acting the larger part this will play in it . From the representation of high characters it is more and more strained out and ...
... faces . This is the broadest and vulgarest language of unrefined vernacular man . The lower the style of acting the larger part this will play in it . From the representation of high characters it is more and more strained out and ...
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acting actor admiration artist audience beauty bless breath Broadway Theatre character charm Coriolanus critic Damon and Pythias death delight divine dramatic art earnest Edmund Kean Edwin Forrest effect experience expression eyes fame fear feeling friendship Garrick gave genius give glory gymnastic Hamlet hand happy hate heart heaven histrionic honor human nature Iago ideal impersonations instinct interest Jack Cade James Oakes jealousy John Philip Kemble justice Kean king Lear letter living look Macbeth manner ment Metamora mind Molière moral motion mystery ness never night noble Oakes Othello passion perfect performance Philadelphia play player pleasure plebeian pride profession professional replied revealed Richelieu rôle scene School secret seemed selfish Shakspeare sincere social soul Spartacus spirit stage style sublime sweet sympathy tears tender theatre thee things thou thought tion tone tragedian tragedy true truth utter voice whole words
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第 766 頁 - It is the cause, it is the cause, my soul, — Let me not name it to you, you chaste stars ! — It is the cause. — Yet I'll not shed her blood ; Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster.
第 730 頁 - This supernatural soliciting Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, • Against the use of nature...
第 777 頁 - If it be you that stir these daughters' hearts Against their father, fool me not so much To bear it tamely; touch me with noble anger, And let not women's weapons, water-drops, Stain my man's cheeks! No, you unnatural hags, I will have such revenges on you both That all the world shall — I will do such things.
第 780 頁 - No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
第 746 頁 - Hold, hold, my heart ; And you, my sinews, grow not instant old, But bear me stiffly up. Remember thee ! Ay, thou poor ghost, while memory holds a seat In this distracted globe.
第 738 頁 - I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted, ere they may be scann'd.
第 746 頁 - gainst self-slaughter! O God! O God! How weary, stale, flat, and unprofitable Seem to me all the uses of this world! Fie on't! ah, fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature, Possess it merely.
第 764 頁 - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
第 746 頁 - Remember thee? Ay, thou poor ghost, while memory holds a seat In this distracted globe. Remember thee? Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there; And. thy commandment all alone shall live Within the book and volume of my brain, Unmix'd with baser matter: yes, by heaven.
第 785 頁 - To wake the soul by tender strokes of art, To raise the genius, and to mend the heart, To make mankind, in conscious virtue bold, Live o'er each scene, and be what they behold...