Biographia LiterariaDigiCat, 2022年11月13日 - 289 頁 In Samuel Taylor Coleridge's 'Biographia Literaria', the author writes a groundbreaking work that mixes autobiography with literary criticism to create a unique and influential text. Published in 1817, this work reflects Coleridge's thoughts on philosophy, poetry, and the nature of the creative process. Mixing personal anecdotes with insightful analysis, Coleridge discusses his own poetic theories and the works of his contemporaries, such as William Wordsworth. The book is known for its complex prose style and in-depth exploration of poetic principles. Coleridge's discussion of imagination, symbolism, and the role of the poet in society makes 'Biographia Literaria' a must-read for anyone interested in Romantic literature. Coleridge's own struggles with addiction and mental health issues provide valuable context for understanding the deeply personal nature of this work. His intellectual curiosity and profound insights into the nature of artistic creation make 'Biographia Literaria' a timeless and essential read for students of literature and philosophy alike. |
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第 1 到 5 筆結果,共 80 筆
第 頁
... poetry and criticism. But of the objects, which I proposed to myself, it was not the least important to effect, as far as possible, a settlement of the long continued controversy concerning the true nature of poetic diction; and at the ...
... poetry and criticism. But of the objects, which I proposed to myself, it was not the least important to effect, as far as possible, a settlement of the long continued controversy concerning the true nature of poetic diction; and at the ...
第 頁
... poetry. This remark however applies chiefly, though not exclusively, to the Religious Musings. The remainder of the charge I admitted to its full extent, and not without sincere acknowledgments both to my private and public censors for ...
... poetry. This remark however applies chiefly, though not exclusively, to the Religious Musings. The remainder of the charge I admitted to its full extent, and not without sincere acknowledgments both to my private and public censors for ...
第 頁
... poets, he made us read Shakespeare and Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learned from him, that poetry, even that of the loftiest and ...
... poets, he made us read Shakespeare and Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learned from him, that poetry, even that of the loftiest and ...
第 頁
... Poetry — (though for a schoolboy of that age, I was above par in English versification, and had already produced two or three compositions which, I may venture to say, without reference to my age, were somewhat above mediocrity, and ...
... Poetry — (though for a schoolboy of that age, I was above par in English versification, and had already produced two or three compositions which, I may venture to say, without reference to my age, were somewhat above mediocrity, and ...
第 頁
... poetry, from the writings of Pope and his followers; or to speak more generally, in that school of French poetry, condensed and invigorated by English understanding, which had predominated from the last century. I was not blind to the ...
... poetry, from the writings of Pope and his followers; or to speak more generally, in that school of French poetry, condensed and invigorated by English understanding, which had predominated from the last century. I was not blind to the ...
內容
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER XVI | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XIX | |
CHAPTER XX | |
CHAPTER XXI | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XXII | |
CHAPTER XXIII | |
CONCLUSION | |
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常見字詞
admiration answer appear Aristotle beautiful become blank verse cause character commencement common composition consciousness conversation criticism Cuxhaven DANE deduced defects diction distinct dramatic effect Elbe English equally excellence excitement existence expression faculty fancy feelings former French genius German German language greater ground Hamburg heart honour human idea images imagination imitation impression instance intellectual intelligence interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads man’s meaning metaphysics metre Milton mind moral nature notions object once original passages passion perhaps person philosopher Plato pleasure Plotinus poem poet poet’s poetic poetry possess possible present principles produced prose Ratzeburg reader reason rhyme rustic SCHOLIUM sense Shakespeare soul Spinoza spirit stanza style supposed Table of Contents taste things thou thought truth VENUS AND ADONIS verse whole words Wordsworth writings