Biographia LiterariaDigiCat, 2022年11月13日 - 289 頁 In addition to his poetry, Coleridge also wrote influential piece of literary criticism, Biographia Literaria, a collection of his thoughts and opinions on literature. The work delivered both biographical explanations of the author's life as well as his impressions on literature. The collection also contained an analysis of a broad range of philosophical principles of literature ranging from Aristotle to Immanuel Kant and Schelling and applied them to the poetry of peers such as William Wordsworth. Coleridge's explanations of metaphysical principles were popular topics of discourse in academic communities throughout the 19th and 20th centuries, and T.S. Eliot stated that he believed that Coleridge was "perhaps the greatest of English critics, and in a sense the last." In Biographia Literaria and his poetry, symbols are not merely "objective correlatives" to Coleridge, but instruments for making the universe and personal experience intelligible and spiritually covalent. Samuel Taylor Coleridge (1772 – 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson, and American transcendentalism. |
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第 1 到 5 筆結果,共 81 筆
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... feelings of the heart; still there was a long and blessed interval, during which my natural faculties were allowed to expand, and my original tendencies to develop themselves; — my fancy, and the love of nature, and the sense of beauty ...
... feelings of the heart; still there was a long and blessed interval, during which my natural faculties were allowed to expand, and my original tendencies to develop themselves; — my fancy, and the love of nature, and the sense of beauty ...
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... feeling, are so far vicious in their diction. Be it however observed, that I excluded from the list of worthy feelings, the pleasure derived from mere novelty in the reader, and the desire of exciting wonderment at his powers in the ...
... feeling, are so far vicious in their diction. Be it however observed, that I excluded from the list of worthy feelings, the pleasure derived from mere novelty in the reader, and the desire of exciting wonderment at his powers in the ...
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... feeling, with which readers in general take part against the author, in favour of the critic; and the readiness with which they apply to all poets the old sarcasm of Horace upon the scribblers of his time —— — genus irritabile vatum. A ...
... feeling, with which readers in general take part against the author, in favour of the critic; and the readiness with which they apply to all poets the old sarcasm of Horace upon the scribblers of his time —— — genus irritabile vatum. A ...
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... feelings and affections blend more easily and intimately with these ideal creations than with the objects of the senses; the mind is affected by thoughts, rather than by things; and only then feels the requisite interest even for the ...
... feelings and affections blend more easily and intimately with these ideal creations than with the objects of the senses; the mind is affected by thoughts, rather than by things; and only then feels the requisite interest even for the ...
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... feeling in the author himself. Shakespeare's evenness and sweetness of temper were almost proverbial in his own age. That this did not arise from ignorance of his own comparative greatness, we have abundant proof in his Sonnets, which ...
... feeling in the author himself. Shakespeare's evenness and sweetness of temper were almost proverbial in his own age. That this did not arise from ignorance of his own comparative greatness, we have abundant proof in his Sonnets, which ...
內容
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER XVI | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XIX | |
CHAPTER XX | |
CHAPTER XXI | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XXII | |
CHAPTER XXIII | |
CONCLUSION | |
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常見字詞
admiration answer appear Aristotle beautiful become blank verse cause character commencement common composition consciousness conversation criticism Cuxhaven DANE deduced defects diction distinct dramatic effect Elbe English equally excellence excitement existence expression faculty fancy feelings former French genius German German language greater ground Hamburg heart honour human idea images imagination imitation impression instance intellectual intelligence interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads man’s meaning metaphysics metre Milton mind moral nature notions object once original passages passion perhaps person philosopher Plato pleasure Plotinus poem poet poet’s poetic poetry possess possible present principles produced prose Ratzeburg reader reason rhyme rustic SCHOLIUM sense Shakespeare soul Spinoza spirit stanza style supposed Table of Contents taste things thou thought truth VENUS AND ADONIS verse whole words Wordsworth writings