Biographia LiterariaDigiCat, 2022年11月13日 - 289 頁 In addition to his poetry, Coleridge also wrote influential piece of literary criticism, Biographia Literaria, a collection of his thoughts and opinions on literature. The work delivered both biographical explanations of the author's life as well as his impressions on literature. The collection also contained an analysis of a broad range of philosophical principles of literature ranging from Aristotle to Immanuel Kant and Schelling and applied them to the poetry of peers such as William Wordsworth. Coleridge's explanations of metaphysical principles were popular topics of discourse in academic communities throughout the 19th and 20th centuries, and T.S. Eliot stated that he believed that Coleridge was "perhaps the greatest of English critics, and in a sense the last." In Biographia Literaria and his poetry, symbols are not merely "objective correlatives" to Coleridge, but instruments for making the universe and personal experience intelligible and spiritually covalent. Samuel Taylor Coleridge (1772 – 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson, and American transcendentalism. |
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第 1 到 5 筆結果,共 67 筆
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... effect, as far as possible, a settlement of the long continued controversy concerning the true nature of poetic diction; and at the same time to define with the utmost impartiality the real poetic character of the poet, by whose ...
... effect, as far as possible, a settlement of the long continued controversy concerning the true nature of poetic diction; and at the same time to define with the utmost impartiality the real poetic character of the poet, by whose ...
第 頁
... effect on the youthful mind, as the productions of contemporary genius. The discipline, my mind had undergone, Ne falleretur rotundo sono et versuum cursu, cincinnis, et floribus; sed ut inspiceret quidnam subesset, quae, sedes, quod ...
... effect on the youthful mind, as the productions of contemporary genius. The discipline, my mind had undergone, Ne falleretur rotundo sono et versuum cursu, cincinnis, et floribus; sed ut inspiceret quidnam subesset, quae, sedes, quod ...
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... make himself acquainted with the general style of composition that was at that time deemed poetry, in order to understand and account for the effect produced on me by the Sonnets, the Monody at Matlock, and the Hope,
... make himself acquainted with the general style of composition that was at that time deemed poetry, in order to understand and account for the effect produced on me by the Sonnets, the Monody at Matlock, and the Hope,
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... effects in the world of letters, and such as are abundant to explain, though by no means to justify, the contempt with which the best grounded complaints of injured genius are rejected as frivolous, or entertained as matter of merriment ...
... effects in the world of letters, and such as are abundant to explain, though by no means to justify, the contempt with which the best grounded complaints of injured genius are rejected as frivolous, or entertained as matter of merriment ...
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... effects of peculiar irritation from its accidental relation to himself. For myself, if from my own feelings, or from the less suspicious test of the observations of others, I had been made aware of any literary testiness or jealousy; I ...
... effects of peculiar irritation from its accidental relation to himself. For myself, if from my own feelings, or from the less suspicious test of the observations of others, I had been made aware of any literary testiness or jealousy; I ...
內容
CHAPTER V | |
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER IX | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER XVI | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XIX | |
CHAPTER XX | |
CHAPTER XXI | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XII | |
CHAPTER XIII | |
CHAPTER XXII | |
CHAPTER XXIII | |
CONCLUSION | |
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常見字詞
admiration answer appear Aristotle beautiful become blank verse cause character commencement common composition consciousness conversation criticism Cuxhaven DANE deduced defects diction distinct dramatic effect Elbe English equally excellence excitement existence expression faculty fancy feelings former French genius German German language greater ground Hamburg heart honour human idea images imagination imitation impression instance intellectual intelligence interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads man’s meaning metaphysics metre Milton mind moral nature notions object once original passages passion perhaps person philosopher Plato pleasure Plotinus poem poet poet’s poetic poetry possess possible present principles produced prose Ratzeburg reader reason rhyme rustic SCHOLIUM sense Shakespeare soul Spinoza spirit stanza style supposed Table of Contents taste things thou thought truth VENUS AND ADONIS verse whole words Wordsworth writings