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THOMAS BLACKLOCK, the blind poet and divine, was born at Annan, Dumfriesshire, November 10, 1721. Before he was six months old he was deprived of his sight by the smallpox. As he grew up his father, a poor bricklayer, educated him at home, and read to him instructive and entertaining books, particularly Spenser, Milton, Pope, Prior, and Addison. The blind boy became enthusiastically fond of poetry, his special favourites being Allan Ramsay and Thomson. He began to compose poetry when he was twelve years of age, and one of his early pieces is preserved in the collection published after his death. When twenty years old some of his poetical compositions came under the notice of Dr. John Stevenson, an eminent physician of Edinburgh, who kindly invited him to that city, with the benevolent design of improving his genius by a liberal education. Young Blacklock arrived in Edinburgh in 1741, and after attending a grammar-school for a short time he was enrolled as a student at the university, where he remained until the breaking out of the rebellion, when he retired to the residence of a sister in Dumfries.

ing one of his trial discourses an old woman who sat on the pulpit stairs inquired whether he was a reader of his sermons. "He canna be a reader, for he's blind," responded her neighbour. "I'm glad to hear't," rejoined the old wife; "I wish they were a' blin'." In 1746 Blacklock published at Glasgow a volume of his poems, which was reprinted with additions in 1754 and 1756. The last edition attracted the attention of the Rev. Joseph Spence, professor of poetry at Oxford, who wrote an account of Blacklock's life and writings, with the design of introducing his name and character to the English public.

The parishioners of Kirkcudbright having refused, on account of his blindness, to acknowledge him as their pastor, a lawsuit was commenced, which after two years was compromised by Blacklock retiring upon a moderate annuity. He then removed to Edinburgh, and added to his income by receiving as boarders into his house a number of young gentlemen, whom he assisted in their studies. This system he continued until 1787, when age and increasing infirmities compelled him to give it up. In 1766 he received the degree of Doctor of Divinity from Marischal College, Aberdeen. "The Graham," a heroic ballad in four cantos, was published in 1774, but was excluded from Mackenzie's collection of his works, as being inferior to his other poems.

At the close of the civil commotions Blacklock returned to Edinburgh, and pursued his studies at college for six years longer. He was licensed as a preacher of the gospel in 1759, and three years afterwards married the daughter of Mr. Johnston, a surgeon in Dumfries. The year of his marriage he was presented to the Dr. Blacklock was one of the first to apprechurch-living of Kirkcudbright, although at ciate the genius of Robert Burns; and it was the time labouring under the loss of eye- owing to a letter from him to the Rev. Dr. sight. It is related that when he was preach-Laurie, minister of Loudoun, that Burns in

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November, 1786, relinquished the design of accomplishments," continues the same writer, leaving his native land for Jamaica, and re- he added a taste for music, and he excelled solved to try his fortune in Edinburgh. On in singing the melodies of his country. I have his arrival in the metropolis the doctor treated heard him often bear a part in a chorus with him with great kindness, and introduced him much judgment and precision. His knowledge to many of his literary friends. Blacklock of the scientific part of music was by no means died at Edinburgh, July 7, 1791, and was inconsiderable." buried in the ground of St. Cuthbert's chapel of ease. A monument was erected to his memory, with a Latin inscription written by his friend Dr. Beattie. In 1793 a quarto edition of his poems, with a memoir by Henry Mackenzie, was published in Edinburgh. In addition to his poems Dr. Blacklock wrote several theological treatises; an ingenious and elegant article on "Blindness" for the Encyclopedia Britannica; and two dissertations, entitled "Paraclesis, or Consolations deduced from Natural and Revealed Religion," one of them original, the other translated from a work ascribed to Cicero. "In his person," says Alexander Campbell, “Dr. Blacklock exceeded not the middle size, but his erect posture gave an air of dignity mingled with perfect simpli- | city; and a peculiar involuntary motion, the effect of habit, added not a little to interest the beholder, as it usually accompanied the glow of his feelings in conversation." "To his

Of Dr. Blacklock, of whom it was said that he never lost a friend or made a foe, Robert Heron remarks:-"There was, perhaps, never one among all mankind whom you might more truly have called an angel upon earth. He was guileless and innocent as a child, yet endowed with manly sagacity and penetration. His heart was a perpetual spring of overflowing benignity; his feelings were all tremblingly alive to the sense of the sublime, the beautiful, the tender, the pious, and the virtuous. Poetry was to him the dear solace of perpetual blindness; cheerfulness even to gaiety was, notwithstanding that irremediable misfortune, long the predominant colour of his mind. In his latter years, when the gloom might otherwise have thickened around him, hope, faith, devotion, the most fervent and sublime, exalted his mind to heaven, and made him maintain his wonted cheerfulness in the expectation of a speedy dissolution."

ODE TO AURORA ON MELISSA'S

BIRTH-DAY.1

Of time and nature eldest born,
Emerge, thou rosy-fingered morn;
Emerge, in purest dress arrayed,

And chase from heaven night's envious shade,
That I once more may pleased survey,

And hail Melissa's natal day.

Of time and nature eldest born,
Emerge, thou rosy-fingered morn;
In order at the eastern gate

The hours to draw thy chariot wait;
Whilst Zephyr on his balmy wings,
Mild nature's fragrant tribute brings,
With odours sweet to strew thy way,
And grace the bland revolving day.

1 Of this ode Mackenzie says:-"A compliment and tribute of affection to the tender assiduity of an excellent wife, which I have not anywhere seen more happily conceived or more elegantly expressed."-ED.

But, as thou lead'st the radiant sphere,
That gilds its birth and marks the year,
And as his stronger glories rise,
Diffused around the expanded skies,
Till clothed with beams serenely bright,
All heaven's vast concave flames with light;

So when through life's protracted day,
Melissa still pursues her way,
Her virtues with thy splendour vie,
Increasing to the mental eye;
Though less conspicuous, not less dear,
Long may they Bion's prospect cheer;

So shall his heart no more repine,

Blessed with her rays, though robbed of thine.

ABSENCE.

Ye rivers so limpid and clear,

Who reflect, as in cadence you flow,
All the beauties that vary the year,

All the flow'rs on your margins that grow!

How blest on your banks could I dwell,
Were Margret the pleasure to share,
And teach your sweet echoes to tell
With what fondness I doat on the fair.

Ye harvests, that wave in the breeze,
As far as the view can extend!
Ye mountains, umbrageous with trees,
Whose tops so majestic ascend!
Your landscape what joy to survey,

Were Margret with me to admire! Then the harvest would glitter, how gay, How majestic the mountains aspire!

In pensive regret whilst I rove,

The fragrance of flow'rs to inhale;
Or catch as it swells from the grove
The music that floats on the gale.
Alas! the delusion how vain!

Nor odours nor harmony please
A heart agonizing with pain,
Which tries ev'ry posture for ease.

If anxious to flatter my woes,

Or the languor of absence to cheer, Her breath I would catch in the rose,

Or her voice in the nightingale hear. To cheat my despair of its prey,

What object her charms can assume! How harsh is the nightingale's lay,

How insipid the rose's perfume!

Ye zephyrs that visit my fair,

Ye sunbeams around her that play, Does her sympathy dwell on my care?

Does she number the hours of my stay? First perish ambition and wealth,

First perish all else that is dear, Ere one sigh should escape her by stealth, Ere my absence should cost her one tear.

When, when shall her beauties once more This desolate bosom surprise?

Ye fates! the blest moments restore

When I bask'd in the beams of her eyes; When with sweet emulation of heart,

Our kindness we struggled to show; But the more that we strove to impart, We felt it more ardently glow.

BENEATH A GREEN SHADE.

Beneath a green shade a lovely young swain
Ae evening reclined to discover his pain;
So sad, yet so sweetly, he warbled his woe,
The winds ceased to breathe and the fountain to
flow;

Rude winds wi' compassion could hear him complain,

Yet Chloe, less gentle, was deaf to his strain.

How happy, he cried, my moments once flew, Ere Chloe's bright charms first flash'd in my view! Those eyes then wi' pleasure the dawn could survey;

Nor smiled the fair morning mair cheerful than they.

Now scenes of distress please only my sight;
I'm tortured in pleasure, and languish in light.

Through changes in vain relief I pursue,
All, all but conspire my griefs to renew;
From sunshine to zephyrs and shades we repair-
To sunshine we fly from too piercing an air;
But love's ardent fire burns always the same,
No winter can cool it, no summer inflame.

But see, the pale moon, all clouded, retires;
The breezes grow cool, not Strephon's desires:
I fly from the dangers of tempest and wind,
Yet nourish the madness that preys on my mind.
Ah, wretch! how can life be worthy thy care?
To lengthen its moments but lengthens despair.

THE WEDDING-DAY.

One night as young Colin lay musing in bed,
With a heart full of love, and a vapourish head,
To wing the dull hours, and his sorrows allay,
Thus sweetly he sang of his wedding-day:
"What would I give for a wedding-day!
Who would not wish for a wedding-day!
Wealth and ambition, I'd toss ye away,
With all ye can boast, for a wedding-day.

"Should Heaven bid my wishes with freedom implore

One bliss for the anguish I suffered before,
For Jessie, dear Jessie, alone would I pray,
And grasp my whole wish on my wedding-day!

Blessed be the approach of my wedding-day!
Hail, my dear nymph, and my wedding-day!
Earth smile more verdant, and heaven shine
more gay!

For happiness dawns with my wedding-day."

But Luna, who equally sovereign presides
O'er the hearts of the ladies and flow of the tides,
Unhappily changing, soon changed his wife's

mind:

O fate, could a wife prove so constant and kind! "Why was I born to a wedding-day!

Cursed, ever cursed, be my wedding-day."
Colin, poor Colin, thus changes his lay,
And dates all his plagues from his wedding-

day.

Ye bachelors, warned by the shepherd's distress, Be taught from your freedom to measure your bliss,

Nor fall to the witchcraft of beauty a prey,
And blast all your joys on your wedding-day.
Horns are the gift of a wedding-day;
Want and a scold crown a wedding-day;
Happy and gallant who, wise when he may,
Prefers a stout rope to a wedding-day!

For soon the shades of grief shall cloud The sunshine of thy days;

And cares, and toils, in endless round
Encompass all thy ways.

Soon shall thy heart the woes of age
In mournful groans deplore,
And sadly muse on former joys,
That now return no more.

ANNA.

Shepherds, I have lost my love.
Have you seen my Anna,
Pride of ev'ry shady grove
Upon the banks of Banna?
I for her my home forsook,
Near yon misty mountain;

Left my flock, my pipe, my crook,
Green-wood shade and fountain.

Never shall I see them more,
Until her returning;

All the joys of life are o'er,

From gladness changed to mourning. Whither is my charmer flown, Shepherds, tell me whither?

Ah, woe for me! perhaps she's gone, For ever and for ever!

IMPORTANCE OF EARLY PIETY.

In life's gay morn, when sprightly youth With vital ardour glows,

And shines in all the fairest charms

Which beauty can disclose;

Deep on thy soul, before its pow'rs
Are yet by vice enslav'd,
Be thy Creator's glorious name
And character engrav'd.

TERRORS OF A GUILTY CONSCIENCE.

Cursed with unnumbered groundless fears,
How pale yon shivering wretch appears!
For him the daylight shines in vain,
For him the fields no joys contain;
Nature's whole charms to him are lost,
No more the woods their music boast;
No more the meads their vernal bloom,
No more the gales their rich perfume:
Impending mists deform the sky,
And beauty withers in his eye.
In hopes his terrors to elude,
By day he mingles with the crowd,
Yet finds his soul to fears a prey,
In busy crowds and open day.
If night his lonely walks surprise,
What horrid visions round him rise!
The blasted oak which meets his way,
Shown by the meteor's sudden ray,
The midnight murderer's lone retreat,
Felt Heaven's avengful bolt of late;
The clashing chain, the groan profound,
Loud from yon ruined tower resound;
And now the spot he seems to tread
Where some self-slaughtered corse was laid;
He feels fixed earth beneath him bend,
Deep murmurs from her caves ascend;
Till all his soul, by fancy swayed,
Sees livid phantoms crowd the shade.

TOBIAS G. SMOLLETT.

BORN 1721 DIED 1771.

TOBIAS GEORGE MOLLETT, an eminent historian, novelist, and poet, was born in Dalquburn House, near the village of Renton, Dumbartonshire, in the year 1721. His father dying while he was very young, his education

was undertaken by his grandfather Sir James Smollett. After completing his rudimentary studies at the neighbouring school of Dumbarton, he was sent to the University of Glasgow, where he studied medicine. His wish

came the most popular novel of the age; and this was followed in 1751 by "The Adventures of Peregrine Pickle." This was also very successful, and was translated into French. Having obtained the degree of M.D. he settled at Bath, with the intention of practising medicine, but not meeting with success he returned to London, and assumed the character of a professional author, working for the booksellers in the various departments of compilations, translations, criticisms, and miscellaneous essays. In 1753 he published the "Adventures of Count Fathom," followed in 1755 by his translation of Don Quixote. The version of Motteux is now generally preferred to that of our author, though Smollett's is marked by his characteristic humour and ver

was to be a soldier, but he was opposed in this
desire by his grandfather, who having already
permitted his elder brother James to enter the
army, thought he could better advance the in-
terests of the younger in some other course of
life. At the early age of eighteen Smollett's
capabilities for poetry began to manifest them-
selves; and besides writing several keen and
skilful satires, he composed "The Regicide,"
a tragedy founded on the assassination of King
James I. In 1740 his grandfather died, without
having made any provision for the mother of
our author or her family; and thus thrown on
his own resources, Smollett resolved to proceed
to London and obtain a position in the army
or navy. He succeeded in securing the ap-
pointment of surgeon's mate on board of a
man-of-war, and sailed in the unfortunate ex-satility of talent.
pedition to Carthagena. Disgusted with his
situation he left the service while the ship was
in the West Indies, and resided for some time
in Jamaica, where he became attached to Miss
Ann Lascelles, an accomplished lady, whom he
afterwards married.

Returning to London in 1746, Smollett's feelings of patriotism led him to write the beautiful and spirited poem of "The Tears of Scotland," describing the barbarities committed in the Highlands by the English forces under the command of the "Butcher Cumberland" after the battle of Culloden. He originally finished the poem in six stanzas; when, some one representing that such a diatribe against the government might injure his prospects, he sat down and added the still more pointed invective of the seventh stanza:

"While the warm blood bedews my veins,
And unimpaired remembrance reigns,
Resentment of my country's fate
Within my filial breast shall beat;
And, spite of her insulting foe,
My sympathizing verse shall flow;
Mourn, hapless Caledonia, mourn
Thy banished peace, thy laurels torn."

The same year Smollett published "Advice," a satirical poem, in the manner of Juvenal; and about the same time composed the opera of "Alceste," which, in consequence of some ill-timed satires on Rich the manager, shared the same fate as his tragedy of "The Regicide." In 1748 appeared "The Adventures of Roderick Random," which soon be

This task finished, Smollett set out on a visit to his native land. His fame had preceded him, and his reception by the literary magnates of Scotland was cordial and flattering. He was also gratified by meeting his surviving parent on arriving at Scotston in Peeblesshire, where his mother resided with her daughter Mrs. Telfer. It was arranged that he should be introduced as a gentleman who was intimately acquainted with her son. The better to support his assumed character he endea voured to preserve a very serious countenance, approaching to a frown; but while his mother's eyes were rivetted with the instinct of affection upon his countenance, he could not refrain from smiling; she immediately sprang from her chair, and throwing her arms around his neck, exclaimed, "Ah! my son, my son!" She afterwards told him that if he had kept his austere looks and continued to gloom, she might have been deceived; but "your old roguish smile," she added, “betrayed you at once."

On his return to London Smollett undertook the editorship of the Critical Review, and was soon afterwards convicted of a libel on Admiral Knowles, one of the commanders at Carthagena; sentenced to pay a fine of £100, and to be confined in prison for three months. During his incarceration he composed the "Adventures of Sir Launcelot Greaves." His "History of England from the earliest times to the Treaty of Aix-la-Chapelle," in four quarto vols., was published in 1758, and is said to have been

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