The Painters of Florence from the Thirteenth to the Sixteenth Century

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E.P. Dutton & Company, 1901 - 373 頁
 

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第 10 頁 - Sì poco il verde in su la cima dura, Se non è giunta dall'etadi grosse. Credette Cimabue, nella pintura, Tener lo campo; ed ora ha Giotto il grido, SI che la fama di colui oscura.
第 357 頁 - Grato m'e il sonno, e piü l'esser, di sasso, mentre che il danno e la vergogna dura; non veder, non sentir m'e gran ventura, perö non mi destar, deh, parla basso!
第 14 頁 - Com' poco verde in su la cima dura, Se non è giunta dall ' etati grosse! Credette Cimabue nella pintura Tener lo campo, ed ora ha Giotto il grido, Sì che la fama di colui oscura.
第 212 頁 - This picture I, Alessandro, painted at the end of the year 1500, in the (troubles) of Italy in the half-time after the time during the fulfilment of the eleventh of St.
第 117 頁 - Non mihi sit laudi, quod eram velut alter Apelles, Sed quod lucra tuis omnia, Christe, dabam: Altera nam terris opera extant, altera coelo.
第 375 頁 - This well-known text was originally published in 1863—6, and was at once accepted as the most scholarly then in existence. It has been for many years out of print, and second-hand copies have only been procurable at high prices. A new and revised edition has long been contemplated, but has been postponed in order that Mr. W. Aldis Wright (the surviving editor) might go carefully over the whole work in the light of the most recent textual criticism of Shakespeare. This has now been done...
第 375 頁 - Drawn up from fresh Materials and recent Researches in the Archives of Italy, as well as from personal inspection of the Works of Art scattered throughout Europe. By JA CROWE and GB CAVALCASELLE. With Illustrations. 2 vols. 8vo. 42*.
第 250 頁 - In time of peace, I believe I can equal anyone in architecture, in constructing public and private buildings, and in conducting water from one place to another.
第 213 頁 - This, I, Alexander, painted at the end of the year 1500, in the troubles of Italy, in the half-time after the time during the fulfilment of the eleventh of St. John, in the second Woe of the Apocalypse, in the loosing of the Devil for three years and a half. Afterwards he shall be chained, and we shall see him trodden down, as in this picture.
第 264 頁 - The smallest details are rendered with exceeding care, the eyes have all the liquid sparkle of nature, the lashes fringing the lids are painted with rare delicacy, the curve of the eyebrows, the vermilion of the lips, are all exactly reproduced. This is not painting, it is real flesh. You can see the pulse beating in the throat, the enchanting smile is more divine than life itself.

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