Journal of Tamil Studies, 第 17-18 期International Institute of Tamil Studies, 1980 |
搜尋書籍內容
第 1 到 3 筆結果,共 12 筆
第 59 頁
... walls of subsidiary shrines as canvases , with the main deity featured in the centre wall and the attending deities on the two side walls . At Panamalai , three subsidiary shrines are attached to the main vimānā . The Northern shrine ...
... walls of subsidiary shrines as canvases , with the main deity featured in the centre wall and the attending deities on the two side walls . At Panamalai , three subsidiary shrines are attached to the main vimānā . The Northern shrine ...
第 60 頁
... wall and the dancing Siva is in the middle wall . The composition and the treatment of the subject is so strikingly like Panamalai . The paintings at Kailasanatha temple at Kanchipuram are contempo raneous with those at Paṇamalai . Here ...
... wall and the dancing Siva is in the middle wall . The composition and the treatment of the subject is so strikingly like Panamalai . The paintings at Kailasanatha temple at Kanchipuram are contempo raneous with those at Paṇamalai . Here ...
第 65 頁
... wall are scenes from the lives of tirthankaras . On the northern wall is a nude monk teaching his disciple , his hand held in ñāna hasta pose . In front of the teacher is a small stand with palm - leaf manuscripts . There are two layers ...
... wall are scenes from the lives of tirthankaras . On the northern wall is a nude monk teaching his disciple , his hand held in ñāna hasta pose . In front of the teacher is a small stand with palm - leaf manuscripts . There are two layers ...
內容
A Later Evidence on Music in the Cankam Period | 1 |
Notable Negroid Elements in Dravidian India | 20 |
ΚΟΙ | 47 |
13 個其他區段未顯示