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action Æneas ancient appear arms bear beauty beginning better blood body called cause colours command common death desire Dryden equal eyes face fall fate father fear field fight figures fire foes follow force fortune friends give given gods grace ground hand head heav'n honour hope imitate Italy kind king land learned least leave less light living lord manner master mean mind nature never night observed once painter painting pass person picture plain play pleasing poem poet present prince race reason received relation rest rising rules sent shore side sight soul sound speak stand tell things thou thought tion town translation Trojan true turn Turnus verse Virgil whole winds wood write youth
第241页 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
第286页 - LORD'S deliverance, and the arrow of deliverance from Syria : for thou shalt smite the Syrians in Aphek, till thou have consumed them. And he said, Take the arrows : and he took them. And he said unto the king of Israel, Smite upon the ground: and he smote thrice, and stayed. And the man of God was wroth with him, and said, Thou shouldest have smitten five or six times, then hadst thou smitten Syria till thou hadst consumed it: whereas now thou shalt smite Syria but thrice.
第134页 - The gates of hell are open night and day ; Smooth the descent, and easy is the way : But, to return, and view the cheerful skies — In this the task and mighty labour lies.
第225页 - A just and lively image of human nature, representing its passions and humours, and the changes of fortune to which it is subject, for the delight and instruction of mankind.
第222页 - IT was that memorable day in the first summer of the late war, when our Navy engaged the Dutch ; a day wherein the two most mighty and best appointed fleets which any age had ever seen, disputed the command of the greater half of the globe, the commerce of nations, and the riches of the universe. While these vast floating bodies, on either side, moved against each other in parallel lines, and our countrymen, under the happy conduct of His Royal Highness, went breaking, by little and little, into...
第239页 - He rather prays you will be pleased to see One such to-day, as other plays should be ; Where neither chorus wafts you o'er the seas, Nor creaking throne comes down the boys to please ; Nor nimble squib is seen to make afeard The gentlewomen ; nor roll'd bullet heard To say, it thunders ; nor tempestuous drum Rumbles, to tell you when the storm doth come...
第242页 - You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he knew he came after those who had performed both to such an height. Humour was his proper sphere ; and in that he delighted most to represent mechanic people.
第231页 - ... we cannot read a verse of Cleveland's without making a face at it, as if every word were a pill to swallow : he gives us many times a hard nut to break our teeth, without a kernel for our pains.
第242页 - If I would compare him with Shakespeare, I must acknowledge him the more correct poet, but Shakespeare the greater wit. Shakespeare was the Homer, or father of our dramatic poets; Jonson was the Virgil, the pattern of elaborate writing; I admire him, but I love Shakespeare.