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such praise as mine, living as I do where works of imagination are so little understood, that far from having a prompter, I have not even a meet recipient for my observations on this singular work, may perhaps be more genuine than that of the reading multitude of your capital. With all their assumed (one can scarce say allowed) pretensions to attic elegance and acute discrimination, I suspect your town's people are somewhat like Dante's disembodied souls, whose process he illustrates by the famous simile of a flock of sheep standing hesitating before a gap in an inclosure, til at length the wonted leader of the flock makes a sudden leap through the aperture, and is implicitly followed by the rest. There are everywhere so many talkers and proportionally so few thinkers, that it is reasonable to suppose many of the talkers borrow opinions from the few thinkers. In your town, where talking is the avowed occupation of so many, and criticism the general topic of those that do not, as well as those that do know what they are talking about, this, I should suppose, must be pre-eminently prevalent; and I own I am the readier to doubt the originality of the acclamation with which Ivanhoe has been greeted on its first appearance, from considering the nature of the work, entirely distinct from its merits.

It is allowed, I think, that the two great sources of pleasure from which the human mind derives most gratification, are those combined with habitual recollections and associations, and those derived from novelty. With the former the heart has much to do; the latter belongs more to the imagination. Pathos, indeed, may be combined with novelty, and bright gleams of fancy inay mingle their lustre with the soft calm of recollected images. Yet in the general estimate of human minds, the imaginative faculty does not predominate. There are many more persons capable of welcoming a combination of familiar images presented to the mind's eye in connection with a story, than of those who can immediately discriminate and be fully aware of the truth of resemblances to originals, of which they have no distinct idea. Besides the charm of the language, familiar in the fondly remembered nursery, the early school, the cottage, and the rural haunts of youth,

that most emphatic and expressive language in which were clothed the ideas of our early poets, historians, and divines; our national manners, likewise, many peculiar traits of national character, many historical facts and curiously national anecdotes were snatched from oblivion, and made to live and reflourish in these "EVERGREEN" tales, where all feel and acknowledge the distinct features of our general nature; and the natives of Scotland have the peculiar triumph of seeing their resusci tated progenitors pass in clear vision before them, and are each ready to exclaim with Hamlet,

"My father in his habit as he lived." One would have thought no colours, however splendid, in which the battles, the tournaments, and the boisterous unregulated passions of the sturdy Saxon or Norman crusaders of that restless and romantic age could be arranged, would create an equal interest in this ancient kingdom. The truth is, I cannot believe they do, except in a few powerful minds, who, not content with "the ignorant present," or the more lately past, have, by the aid of much black letter learning, and close intimacy with Chaucer and Shakespeare, made themselves familiar with the strange medley of characters, and the ill regulated and inconsistent system of manners which prevailed in the middle-ages, and which we dimly trace through the confusion and inaccuracy of our early history. Such and a few others, whose lively fancy finds aliment in the scene of ever shifting wonder which the age of romance presents to the imagination, may find equal pleasure in the new wonder of the day. But I suspect those leaders of opinion, like the heroes of the tale, have a motley though numerous crowd of followers, many of whom are so devoted, as to be, like the "born thralls" of the Saxon Franklins, obliged to follow where they are led. In short, I am much inclined to suspect, that the burst of applause which has welcomed this new favourite of the Scottish public is more general than genuine.

At the same time, I am well aware that there is as much power of painting, and rather more of invention, displayed in this work than in any of the former. In one respect, it is more

extraordinary, if not more admirable. this author's mind, which I used to We think Shakespeare's portraits of contemplate with such pleasure, as those bold barons, peers, and princes, made me turn with ever new complaclowns and voluptuaries, who live and cence from the fairest characters he speak in his pages, most valuable, not drew to admire his own. It was that only as the productions of unrivalled amiable bonhommie which led him to genius, but as models from which to mix among the darkest colours in judge with accuracy of the spirit and which his worst characters were demanners of the times in which his picted some trait of human tendercharacters are supposed to live and ness, or more exalted feeling,-some act. In this he rather copied than fair vestige of what man should have created, because those manners had been,-that made us acknowledge a not entirely passed away when he liv- brother or sister of the earth even ed. The traces, too, of the turbulent among the fallen and the culpable. period of English history which he In this, as in many other points, we describes had not faded from the re- trace his kindred to his mighty protocollection of many who were his con- type. Shakespeare has painted but one temporaries. But we are filled with Iago, one hardened and remorseless astonishment when we see him giving villain. The author of Waverley has, to his Roman characters language and in his former works, only shewn us manners equally appropriate to them, one detestable knave; it is only Glossin and unsuitable to any but them. We with whom our souls refuse to hold see the sketches left by Plutarch, the least communion. But here are a which our great dramatist found mere sort of knaves,-villains without mercy outlines, filled up and coloured with or remorse,-without one glimpse of life-like fidelity, till the portrait almost light to oppose, to the deep shastarts from the canvas. What Shake- dows of the picture of a groupe speare has done for the senators and of sanctified culprits, who add darconsuls of ancient Rome, the great ing blasphemy and deep hypocriwell-known has done for ancient Bri- sy to all the more sensual vices. tain. He has caught the slight sketches Why could not one claim exemption that remain of monkish legends and from the general curse that seems decontemporary history, and filled them nounced against this hapless, and it up with vivid colouring and ad- would seem hopeless, fraternity?— mirable fidelity. Leaving to others Among so many, why is no servant the praise of his inimitable Richard of the altar suffered to appear in any Cœur de Lion, and that pure and form but that of the grossest licenlofty-minded Jewess, with all the ino- tiousness, and the most demoniacal dest grandeur of her noble and con- wickedness? Why, to the " deep sistent character, (perfectly original damnation" of their deeds, is added too,) I shall content myself, after a the gratuitous pain to all the good passing observation on Prince John, feelings of those who possess any, by with a humbler theme. John is faith their profane use of Scriptural lanfully consistent with the regal John guage? of Shakespeare. But the author has an advantage in drawing him. Our preconceived impression of him is at once expressed in these emphatic words of Shakespeare," Now John was hated and despised before." All this is very finely brought out; and as for the chivalrous pictures in this work, what betwixt the faint recollections of such scenes, rekindled in every mind in which they have once floated, and the graphic description of the free and gentle passage of Ashby-dela-Zouche, albeit unused to the fighting mood,-I must say that I could almost feel myself a spectator of the tournament, and a sharer of all the hopes and fears it awakened.

But there is one beautiful feature of

I have always had particular pleasure in drawing parallels betwixt the first of dramatists and the first of novelists, the long-cherished boast of England, and the new-risen star of Scotland. But here the resemblance totally fails. Shakespeare lived at the very crisis when "a brutal tyrant's useful rage" was made the means of bursting the chains of papal tyran ny, and exploring, with all the bitterness of hatred, and all the eagerness of avarice, every hidden corruption of the monastic establishments. short and bloody triumph of popery, under the bigoted daughter of the merciless Henry, was soon closed, and had only the effect of rendering detestable, superstitions which the influx of

The

light had already rendered contemptible. Meantime, the cruelties exercised by the Duke of Alvá over the Protestant allies of England were quite sufficient to keep up the flame of Anti-Catholic indignation. If ever an author could plead excuse for conveying to unpractised minds an impression of intolerant scorn and disgust towards all the ministers of a form of religion which, though much corrupted, was still Christian, Shakespeare was that author. When drawing the character of individuals such as history has transmitted them, he spares neither the worldly craft of Pandulph nor the ferocious ambition of the Cardinal of Winchester, yet he takes no wanton delight in confounding a whole order in one indiscriminate censure. On the contrary, instead of gratifying, as he might easily have done, the bitter spirit of the newly reformed and lately oppressed, in the very few appearances which individuals of the religious orders of the Church of Rome make on his theatre, they compose themselves with a modest gravity, and without wantonly quoting and misapplying texts of Scripture, express themselves in the style of men devoted to the concerns of a better life. Witness the friar who is the friend and confidant of the unhappy lovers in Romeo and Juliet, and that other who unites in marriage the Countess Olivia and Sebastian in the comedy of Twelfth Night. When the re gard he pays to historical truth leads him to depict Cardinal Wolsey haughty, ambitious, and voluptuous, as he was, he fails not to do justice to the nobler qualities which were obscured by the predominating love of power and pleasure. Griffith, so often granted as an honest chronicler, when he says that he was

"Lofty and sour to those that lov'd him

not,

But to those men that sought him sweet

as summer;"

and adds his testimony to the Cardinal's liberal patronage of learning, and noble spirit, receives the praise due to his candour even from the injured Queen, now raised by affliction to the still higher dignity of a saintly sufferer."Unhappy Dryden," as Pope truly and tenderly calls him, in reference to the infirmities by which his fine genius was defiled and de

VOL. VI.

graded, he who lived to flatter a grossly licentious court, readily adopted the spirit common to those who live in open defiance of those pure precepts given us in mercy for a rule of life. To them Christian teachers appear as ministers of vengeance rather than heralds of the law of love and peace. To discover that there are transgressors of that holy law clothed in the garb of sanctity, affords them an equivocal comfort. To drag their guilt into open view, gives them a kind of malignant pleasure; and to draw the conclusion from the decency or austerity of others, that all who are not open libertines are hypocrites or narrowminded fanatics, is among the wretched pretexts by which the enemies of religion, in all ages, endeavour to hide, even from themselves, that it is not the religious, but religion itself, they hate. What we greatly fear we cannot much love. Those who daily transgress a law enforced by severe penalties must think with terror of that law, and with a kind of rancorous dislike of those whose duty it is to explain it.

When Dryden seized on every possible occasion to introduce priests into his comedies, that he might show them odious by their vices, or contemptible by their meanness and avarice, he well knew how acceptable such portraits were to a shameless court and a corrupted audience; yet it is remarkable, that, in some of our older plays, where, from the coarse manners of the times, decency was little regarded, the decorum due to this order of men is preserved. In a tragedy of Ford's, of which the subject is very painful, and, indeed, improper, the brother of the heroine confesses to a priest a guilty passion for a near relation. The vered with all the solemn energy of a priest's reproofs and counsels are delipure and lofty spirit, conscious of the mighty responsibility attached to the charge of immortal souls. There is not, perhaps, in the English language a finer specimen of the eloquence of truth flowing from a deep conviction of its importance. Even the first of modern poets, who has of late wantonly sullied a great name by the misapplication of his powers, is free from this reproach. Much as he delights in showing the dark side of our nature under various forms, he has

H

not, that I know of, endeavoured, in his multifarious pictures of life, to make the ministers of religion despicable or ridiculous. Even the lost and wretched Manfred, all hopeless as he is of consolation here or hereafter, receives the counsels of the Abbot with a kind of despairing humility and a decent form of gratitude. Nor does the Abbot, respectable in his good intentions, and mild in his expostulations, make a profane and needless use of Scripture language. Pains are taken, in this work, to include in one general mass of corruption all who serve the altar, and to represent them as profuse in the use of Scripture language, in which, ignorant as he describes them, they could not be at all so well versed as the author. This is a departure from the accuracy with which he on all other occasions adapts the manners of his dramatis person to their habits and characters. He seems to forget that the Scriptures were then locked up in the learned languages, of which he more than insinuates that his monks and friars were grossly ignorant. We readily grant him Friar Tuck, and have no doubt, that, in the times when he lived, there might be such friars as he, and such smooth hypocritical coxcombs as the Prior Aymer, though he, indeed, is both overdone and over dressed. This, and more, we could bear, if the author had treated the order with the same lenity that he does the community of gipsies, vagrants, and all other despised people, by show ing that there were among them some characters possessing energy, fidelity, and benevolence, affording a redeeming compensation for a whole life of error, and even of crime. Even the savage oppressor and profligate Bothwell is not allowed to go to his place without leaving behind such a memento of his better days and better feelings as excites pity not unmingled with tenderness; and while we feel, in this instance, the meltings of humanity, we wonder at the magic spell of genius that has so soon changed abhorrence to compassion.

The sins of this proscribed order were certainly manifold, yet it is wonderful that a mind which, as poor Burns advises,

Gently scans his brother man, More gently sister woman,

should wrap in one black cloud of obloquy the whole of that community to which we all, even in these days of clear and abundant light, are so much indebted. That many monasteries contained such gluttons, drunkards, and cheats as the author describes, we readily allow; but it is equally true that many of these were the sanctuaries of sincere, though extravagant and austere, devotion; that in them learning was preserved, and the useful, and even the fine arts, practised and improved. At the period which the romance includes, the industry of these monks was exercised in preserving all that remains to us, not only of ancient literature, but of the history, poetry, and divinity of their own rude times. They were not paid for being scholars, annalists, or transcribers of the Scriptures, nor did any rule of their order enjoin such tasks; yet, notwithstanding the destruction which time, war, and fire have made among the monuments of their literary labours, there is not a library of any note in Europe that does not contain specimens of their patient industry, which might be truly styled labours of love, as it does not appear that they derived any temporal benefit from them. Nay, we shrewdly suspect that the author of this work owes much of the knowledge he displays of the manners and events of that turbulent period to the annals and other remains of certain learned brethren of the convent, and there still exist numberless Bibles and missals in the black letter, transcribed with infinite care, and illuminated with much labour and some taste by these recluses. Can any one imagine a drunkard, a glutton, or a hypocrite, gratuitously undertaking a task so tedious and la borious?-a task, too, calculated to awake the slumbering conscience of a transgressor to all the terrors of retribution. And shall the young and the idle, who have never approached the genuine sources of knowledge regarding that period, but are glad to take their scanty portion of intelligence in scraps at second-hand-shall this numerous and thoughtless tribe be taught to believe, that all who in those days were set apart for the service of the Deity, and the instruction of their fellow creatures, were sacrilegious wretches? Yet, what other impression can remain on any unin

formed mind drawing opinions from this plausible and pleasant source? Should not one meek and pious monk, with a countenance "mild, pale, and penetrating," have been introduced, merely for variety's sake, or to form a decent contrast to a groupe which no well-regulated mind can view without disgust?

We Presbyterians thought ourselves hardly dealt with when, among the numbers of our sect that appeared on the author's canvas, only one respectable clergyman rescued the national faith from the contempt brought upon it by the conduct and manners of a parcel of crazy fanatics or mean grovelling characters, without an atom of gentleman about them, whom he shows us as the representatives of our national church; but we comforted ourselves with this decent Morton as a kind of atonement. But, in this indiscriminate attack upon a fraternity which, bad as they were, comprised some individuals who were the lights of their own age, and the berefactors of all succeeding ones, there is no exception even for the dead. The chaplain of Front-deBouf's castle appears to have slept with his fathers for some time before the action begins; but even his spirit must be waked from its purgatorial abode to bear the reproach of the drunken orgies in which he shared when living. As the reverend person's merits or demerits do not forward or improve the story, this seems to carry the desire of exposure beyond "the visible diurnal sphere" to very little purpose. We have, again, a Saxon Prince apparently slain for no visible end but that he may be treacherously murdered through the conspiracy of a whole convent of monks, all combined in this horrid act of sacrilege. This convent, too, seems to be a creation of the fertile genius of the author, produced for the sole purpose of committing this atrocious crime; and every shadow of probability is violated, that the seeming dead may rise for no other purpose that can be imagined but to expose and detect this detestable fraternity. These delightful fictions (for such they are, notwithstanding this moral blemish) fall into the hands of the young and the ignorant, who are scarce aware that so lively a representation of life and manners is a mere work of imagina

tion, and may form very false views
of facts from reading them as history.
Much ignorance, and more prejudice,
already prevails in regard to the times
in question. Such a torrent of oblo-
quy (much of it well deserved) was
poured out upon the monks when
the Reformation threw strong light
on all their misdeeds, that the ser-
vices they performed for mankind,
and the shelter that the hallowed
cloister afforded to the weary wander-
er through a troubled life, to the pe-
nitent sinner, the lover of peace, and
the retired student, seem all forgot-
ten,-all absorbed in the clamour
which fat abbeys and church-lands
raised among those who coveted and
those who plundered them. Now, it
deserves consideration, that, in those
days of petty tyranny and universal
turbulence, fine villas and comfort-
able farms were not. Even the grange
of a Franklin was no abode of quiet,
or shelter of protection. Indeed, of
such granges as that inhabited by
Cedric, few or none existed after the
Norman Conquest. Setting aside
the wretched cottages of the boors,
there was only the castle of the
fierce feudal baron, the monastery,
or the abbey.
too generally the abodes of violence
and strife. Tyrants themselves, they
suffered in turn from the capricious
tyranny of their liege lord, and from
their endless, one might almost say
motiveless wars with each other, pro-
perty was nearly as unstable as the
minds and conduct of its owners.

The former were

That much of this uncertain good should be vested in the church, was the natural result of a mistaken belief on both sides. The baron's glimmering ideas of piety, though partaking more of fear than hope, could not restrain his propensity to strife and licence, yet they were strong enough when the tumult of life was over, to plant thorns in his pillow on the approach of death. His erroneous belief of atoning for sin by donations to the church, was met and seconded by the exhortations of his confessor. This ecclesiastic might, in many instances, heartily believe, that what was won by rapine and violence might be better employed in enlarging and beautifying those retreats, which, besides affording an asylum to the kindred of their penitent, had ever an open door for hospitality, and an open

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