have unreasonably rejected, generally because they do not appear in the Augustan writers. Those whom he calls "Nizoliani verius quam Ciceroniani," disapproved of all words not found in Cicero.* It is curious to perceive, as Vossius shows us, how many apparently obvious words do not occur in Cicero; yet it would be mere affectation to avoid them. This is perhaps the best part of Vossius's treatise. His Aristarchus. 23. We are indebted to Vossius for a still more important work on grammar, the Aristarchus, sive de Arte Grammatica, which first appeared in 1635. This is in seven books; the first treats of grammar in general, and especially of the alphabet; the second of syllables, under which head he dwells at great length on prosodyt; the third (which, with all the following, is separately entitled De vocum Analogia) of words generally, and of the genders, numbers, and cases of nouns. The same subject occupies the fourth book. In the fifth, he investigates verbs; and in the sixth, the remaining parts of speech. The last book relates to syntax. This work is full of miscellaneous observations, placed for the most part alphabetically under each chapter. It has been said that Vossius has borrowed almost every thing in this treatise from Sanctius and Scioppius. If this be true, we must accuse him of unfairness; for he never mentions the Minerva. But the edition of this grammar by Scioppius was not published till after the death of Vossius. Salmasius extolled that of the latter above all which had been published.+ 24. In later times the ambition of writing Latin with *Paulus Manutius scrupled to use words on the authority of Cicero's correspondents, such as Cælius or Pollio; a ridiculous affectation, especially when we observe what Vossius has pointed out, that many common words do not occur in Cicero. It is amazing to see the objections of these Ciceronian critics. In this we find Vossius aware of the rule in Terentianus Maurus, but brought to light by Dawes, and now familiar, that a final vowel is rarely short before a word beginning with s and a mute consonant. Tuum de grammatica à te accepi exactissimum in hoc genere opus, ac cui nullum priorum aut prisci ævi aut nostri possit comparari. Apud Blount in Vossio. Daunou says of the grammatical and rhetorical writings of Vossius, Ces livres se recommandent par l'exactitude, par la méthode, par une littérature trèsétendue. Gibert en convient, mais il trouve de la prolixité. D'autres pourraient n'y voir qu'une instruction sérieuse, souvent austère, et presque toujours profitable." Biogr. Univ. accuracy and elegance has so universally declined, that the diligence of Scioppius and Vossius has become hardly Progress of valuable except to schoolmasters. It is, however, Latin style. an art not contemptible, either in respect to the taste and discernment for which it gives scope in composition, or for the enhanced pleasure it reflects on the pages of ancient writers. We may distinguish several successive periods in its cultivation since the first revival of letters. If we begin with Petrarch, since before his time there was no continuous imitation of classical models, the first period will comprise those who desired much, but reached little, the writers of the fourteenth and fifteenth centuries, destitute of sufficient aids, and generally incapable of clearly discriminating the pure from the barbarous in Latin. A better era may be dated from Politian; the ancients were now fully known, and studied with intense labour; the graces of style were frequently caught; yet something was still wanting to its purity and elegance. At the end of a series of improvements, a line marked by Bembus, Sadolet, and Longolius, we arrive at a third period, which we may call that of Paulus Manutius, the golden age of modern Latinity. The diligence in lexicography of Robert Stephens, of Nizolius, of Manutius himself, and the philological treatises of their times, gave a much greater nicety of expression; while the enthusiasm with which some of the best writers emulated the ancients inspired them with a sympathetic eloquence and grace. But towards the end of the century, when Manutius, and Muretus, and Maphæus, and others of that school had been removed by death, an age of worse taste and perhaps of more negligence in grammar came on, yet one of great scholars, and of men powerful even in language the age of Lipsius, of Scaliger, of Grotius. This may be called the fourth period; and in this apparently the purity of the language, as well as its beauty, rather declined. Finally, the publications of Scioppius and Vossius mark the beginning of another period, which we may consider as lasting to the present day. Grammatical criticism had nearly reached the point at which it now stands; the additions, at least, which later philologers, Perizonius, Burman, Bentley, and many others have made, though by no means inconsiderable, seem hardly sufficient to constitute a VOL. II. U distinct period, even if we could refer them properly to any single epoch. And the praise of eloquent composition has been so little sought after the close of the years passed in education, or attained only in short and occasional writings, which have left no durable reputation behind, that the Latin language may be said, for this purpose, to have silently expired in the regions of polite literature. SECT. II. Antiquities of Rome and Greece - Gruter Meursius Chronology. Gruter's collection of inscriptions. 25. THE antiquities of Greece and Rome, though they did not occupy so great a relative space in the literature of this period as of the sixteenth century, were, from the general increase of erudition, not less frequently the subject of books than before. This field, indeed, is so vast, that its harvest had in many parts been scarcely touched, and in others very imperfectly gathered by those we have already commemorated, the Sigonii, the Manutii, the Lipsii, and their fellow-labourers in ancient learning. The present century opened with a great work, the Corpus Inscriptionum by Gruter. A few endeavours had long before been made to collect the ancient inscriptions, of which the countries once Roman, and especially Italy, were full. The best work hitherto was by Martin Smetius of Bruges, after whose death his collection of inscriptions was published at Leyden in 1588, under the superintendence of Dousa and Lipsius. 26. Scaliger first excited his friend Gruter to undertake the task of giving an enlarged edition of Smetius. † Scaliger. He made the index for this himself, devoting the labour of the entire morning for ten months (a summo mane ad tempus cœnæ) to an occupation from which so little glory could accrue. "Who," says Burman, "would not admire * Assisted by See Vol. I. p. 320. + Burman in Præfatione ad Gruteri Corpus Inscript. Several of Scaliger's epistles prove this, especially the 405th, addressed to Gruter. the liberal erudition and unpretending modesty of the learned of that age, who, worn as they were by those long and weary labours of which they freely complain in their correspondence with each other, though they knew that such occupations as these could gain for them no better name than that of common clerks or mere drudges, yet hesitated not to abandon for the advantage of the public those pursuits which a higher fame might be expected to reward? Who in these times would imitate the generosity of Scaliger, who, when he might have ascribed to himself this addition to the work of Smetius, gave away his own right to Gruter, and declined to let his name be prefixed either to the index which he had wholly compiled, or to the many observations by which he corrects and explains the inscriptions, and desired, in recompense for the industry of Gruter, that he alone should pass with posterity as the author of the work?"* Gruter, it is observed by Le Clerc, has committed many faults: he often repeats the same inscriptions, and still more frequently has printed them from erroneous copies; his quotations from authors, in whom inscriptions are found, sometimes want exactness; finally, for which he could not well be answerable, a vast many have since been brought to light. † In consequence of the publication of Gruter's Inscriptions, the learned began with incredible zeal to examine old marbles for inscriptions, and to insert them in any work that had reference to antiquity. Reinesius collected as many as make a respectable supplement. But a sort of era in lapidary learning was made, in 1629, by Selden's description of the marbles brought by the earl of Arundel from Greece, and which now belong to the university of Oxford. These contain a chronology of the early times of Greece, on which great reliance has often been placed, though their antiquity is not accounted very high in comparison with those times. 27. The Jesuit Donati published, in 1633, Roma vetus et nova, which is not only much superior to any thing previously • Burman, p. 6. + Bibl. Choisie, vol. xiv. p. 51. Burman, ubi supra, gives a strange reason for reprinting Gruter's Inscriptions with all their blemishes, even the repetitions; namely, that it was convenient to pre serve the number of pages which had been so continually referred to in all learned works, the simple contrivance of keeping the original numeration in the margin not having occurred to him. Burman, ubi supra. Works on written on the antiquities of the city, but is preferred by some competent judges to the later and more known work of Nardini. Both these will be found, tiquity. with others of an earlier date, in the third and fourth volumes of Grævius. The tenth volume of the same collection contains a translation from the history of the Great Roads of the Roman Empire, published in French by Nicolas Bergier in 1622; ill arranged, it has been said, and diffuse, according to the custom of his age, but inferior, Grævius declares, in variety of learning to no one work that he has inserted in his numerous volumes. Guther, whose treatise on the pontifical law of Rome appears in the fifth volume, was, says the editor, "a man of various and extended reading, who had made extracts from every class of writers, but had not always digested his learning or weighed what he wrote. Hence much has been found open to criticism in his writings, and there remains a sufficient harvest of the same kind for any one who should care to undertake it." The best work on Roman dress is by Octavius Ferrarius, published partly in 1642, partly in 1654. This has been called superficial by Spanheim; but Grævius, and several other men of learning, bestow more praise.* The Isiac tablet, covered with emblems of Egyptian antiquity, was illustrated by Pignoria, in a work bearing different titles in the successive editions from 1605; and his explanations are still considered probable. Pignoria's other writings were also in high esteem with the antiquaries. † It would be tedious to enumerate the less important productions of this kind. A minute and scrupulous criticism, it has been said, distinguished the antiquaries of the seventeenth century. Without, perhaps, the comprehensive views of Sigonius and Panvinius, they were more severely exact. Hence forgery and falsehood stood a much worse chance of success than before. Annius of Viterbo had deceived half the scholars of the preceding age. But when Inghirami, in 1637, published his Etruscarum Antiquitatum Fragmenta, monuments of Etruscan antiquity, which he pretended to have discovered at Volterra, the imposture was speedily detected. ‡ |